{"id":64933,"date":"2017-03-14T00:00:00","date_gmt":"2017-03-14T00:00:00","guid":{"rendered":"http:\/\/kentyasam.com.tr\/wp\/?p=64933"},"modified":"2017-03-14T00:00:00","modified_gmt":"2017-03-14T00:00:00","slug":"medyadan-cok-ses-cikiyor-duyuyor-musunuz","status":"publish","type":"post","link":"https:\/\/kentyasam.com.tr\/wp\/2017\/03\/14\/medyadan-cok-ses-cikiyor-duyuyor-musunuz\/","title":{"rendered":"Medyadan \u00e7ok ses \u00e7\u0131k\u0131yor, duyuyor musunuz?"},"content":{"rendered":"Kalemin d\u00fc\u015f\u00fc\u015f\u00fc \u00e7ok ses \u00e7\u0131kar\u0131r. \u00c7arpman\u0131n etkisinden midir sesin yank\u0131s\u0131ndan m\u0131; kalem par\u00e7alan\u0131nca s\u00f6z k\u0131r\u0131l\u0131r, hik\u00e2yeler d\u00f6k\u00fcl\u00fcr. Ki onlar, d\u00fcnya var oldu\u011fundan bu yana parma\u011f\u0131m\u0131z\u0131n rehberli\u011finde yaz\u0131lanlard\u0131r. Topra\u011fa, kuma \u00e7izdiklerimiz; ma\u011fara duvarlar\u0131na, kil tabletlere, ta\u015fa yonttuklar\u0131m\u0131z ile ba\u015flayan kadim bir d\u00fc\u015f\u00fcnce, duygu ve bilgi tarihidir. Kalemin icad\u0131ndan \u00e7ok \u00f6nce birikmeye ba\u015flayanlard\u0131r. \r
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\u0130nsan bu… Koldan bacaktan, i\u00e7 organlardan oldu\u011fu kadar hik\u00e2yesinden de m\u00fcte\u015fekkil. Yaz\u0131p \u00e7izdikleri de bir uzvu onun. Parma\u011f\u0131n\u0131 kalem bellemesinden belli… \u00c7iviyle tabletlere, ta\u015flara resimler yontmadan evvel topra\u011fa, kuma \u015fekiller \u00e7izdi\u011fi parmaklar\u0131 me\u011fer o sebepten bug\u00fcn, klavyeyle dans etmekte. Bedeni gibi s\u00f6z\u00fcne de iyi bakmal\u0131 insan. K\u0131r\u0131l\u0131p d\u00f6k\u00fclmeler iyi gelmez zira. Nitekim insan, bug\u00fcn epey hasta… \r
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Kalem d\u00fc\u015ft\u00fc, yere h\u0131zla \u00e7arpt\u0131, da\u011f\u0131ld\u0131, hik\u00e2yeler d\u00f6rt bir yana sa\u00e7\u0131l\u0131p sahipsiz kald\u0131. Demek ki bir vakitler yaz\u0131dan Babil Kulesi kurmaya niyetlenen kalem, kendi yaz\u0131s\u0131n\u0131 iyi yazmam\u0131\u015ft\u0131. \r
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Ruhlar\u0131m\u0131z geride kald\u0131 <\/b>\r
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Bir \u0130nka atas\u00f6z\u00fc, “O kadar h\u0131zl\u0131 gittik ki ruhumuz geride kald\u0131” der. Kil tablet, papir\u00fcs ve par\u015f\u00f6menin k\u00e2\u011f\u0131da, parmak ve \u00e7ivinin kaleme evrilmesi \u00e7ok \u00e7ok eski zamanlarda art\u0131k. Cilt, rulolar\u0131n yerini alal\u0131, matbaa icat edileli y\u00fczy\u0131llar; bilgisayar mucizesi hayat\u0131m\u0131za gireli on y\u0131llar oluyor. Yaz\u0131n\u0131n kitlelere yay\u0131lan onlarca \u015fekli -haber, bilgi, d\u00fc\u015f\u00fcnce, sanat, reklam, propaganda- avucumuza s\u0131\u011facak, cebimize girecek boyutta \u015fimdi. Ke\u015fifler ve icatlar \u00e7a\u011f\u0131, teknolojiyle \u00e7a\u011f atlad\u0131! Se\u00e7eneklerimiz \u00e7o\u011fald\u0131:\r
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Herkes, her yerde her \u015feyi yaz\u0131yor. \r
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Birka\u00e7 iyi yazar, az say\u0131da mecrada baz\u0131 \u015feyleri yaz\u0131yor. \r
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Hangisini tercih ederseniz… \r
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Ama i\u015fte, ruhu geride kalan insan\u0131 hi\u00e7bir ilerleme iyi etmiyor. <\/i>\r
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\u00c7\u00fcnk\u00fc yaz\u0131n\u0131n sihri, k\u00f6t\u00fc emellere alet oluyor. Kitlelere seslenebilmenin, onlar\u0131 kitle ileti\u015fim ara\u00e7lar\u0131yla kontrol edebilmenin b\u00fcy\u00fcs\u00fc, sadece yazarak hik\u00e2ye anlatarak var olabilmenin naifli\u011fini ezdi. \r
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\u0130lk \u00f6rne\u011fi birinci y\u00fczy\u0131lda bas\u0131lan gazetenin var olma nedeni, y\u00f6netimin g\u00fcc\u00fcn\u00fc halka dayatmakt\u0131. Ama insanl\u0131k, matbaayla birlikte onu geli\u015ftirmeyi bildi. D\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131n, evrensel ahlak de\u011ferlerinin, bilimin, sanat\u0131n da yans\u0131mas\u0131 oldu gazete. On yedinci y\u00fczy\u0131lda s\u00fcreli yay\u0131n haline geldikten sonra a\u015fama a\u015fama bug\u00fcnk\u00fc \u015fekline b\u00fcr\u00fcnd\u00fc. \r
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Eh, her \u00e7\u0131k\u0131\u015f\u0131n bir ini\u015fi vard\u0131r! Hani nas\u0131l diyorduk; matbaan\u0131n \u00fclkemize ge\u00e7 gelmesinin, R\u00f6nesans’\u0131 ya\u015famam\u0131\u015f olmam\u0131z\u0131n sonu\u00e7lar\u0131n\u0131 yirminci y\u00fczy\u0131l ortalar\u0131nda g\u00f6rmeye ba\u015flad\u0131k. Yirmi birinci y\u00fczy\u0131lda bu ini\u015fin h\u0131z\u0131, art\u0131k d\u00fc\u015f\u00fc\u015fe d\u00f6n\u00fc\u015fm\u00fc\u015f durumda! T\u00fcrkiye’yi y\u00f6netenler, ilk gazetenin Roma \u0130mparatorlu\u011fu’nca \u00e7\u0131kar\u0131lmas\u0131n\u0131 ve fethedilen topraklar\u0131, gladyat\u00f6r d\u00f6v\u00fc\u015flerini anlatmas\u0131n\u0131 iyi kavram\u0131\u015f. \u00c7in’deki ilk gazetenin, bir “saray genelgesi” olmas\u0131 da hakeza! Gazete sayfalar\u0131nda yemek tarifleri, \u00fcnl\u00fclerle yap\u0131lm\u0131\u015f \u00e7\u0131lg\u0131n pozlu s\u00f6yle\u015filer, \u00f6zel hayat\u0131n\u0131 anlatan k\u00f6\u015fe yazarlar\u0131, g\u00fczel kad\u0131n foto\u011fraflar\u0131 aras\u0131nda \u00e7al\u0131\u015fma ya\u015fam\u0131nda kaybolan haklar\u0131n\u0131z\u0131 aray\u0131n bakal\u0131m, bulabilecek misiniz! Yoksulla\u015fan \u00fclkenize, sava\u015f\u0131n toplu k\u0131y\u0131m\u0131na, her t\u00fcrl\u00fc ayr\u0131mc\u0131l\u0131\u011fa, etnik e\u015fitsizli\u011fe, \u015fiddetin kad\u0131nlar ve \u00e7ocuklara yapt\u0131klar\u0131na, kad\u0131nlar\u0131n k\u00f6lele\u015ftirilmesine, hukukun siyasile\u015ftirilmesine ve dahi bizatihi bas\u0131n\u0131n el pen\u00e7e divan duru\u015funa, susturulu\u015funa dair d\u00fc\u015f\u00fcnce yaz\u0131lar\u0131 bulabilecek misiniz o sayfalarda… \r
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Televizyon \u00e7ok mu masum? Ge\u00e7en y\u00fczy\u0131l\u0131n ba\u015f\u0131nda esen ilk ses dalgalar\u0131, g\u00f6r\u00fcnt\u00fcy\u00fc de pe\u015fine takarak radyo ve televizyon cihazlar\u0131na ula\u015fm\u0131\u015ft\u0131. Art\u0131k sesini en uza\u011fa ula\u015ft\u0131rabilmenin yolu, internet… Teknoloji r\u00fczg\u00e2r\u0131 \u00f6yle h\u0131zl\u0131 esti ki televizyonun i\u00e7inde ne var ne yoksa savurdu. Bu i\u00e7erik de\u011fi\u015fimini, izleyenlerin b\u00fcy\u00fck k\u0131sm\u0131 belki anlamad\u0131 bile. \u00c7\u00fcnk\u00fc o s\u0131rada da\u011f\u0131lan aileleri sabah ku\u015fa\u011f\u0131 programlar\u0131nda toparlad\u0131klar\u0131n\u0131, su\u00e7lular\u0131 bulup adaleti sa\u011flad\u0131klar\u0131n\u0131 san\u0131yor, her g\u00fcn bir ba\u015fka k\u00fcrs\u00fcde ekrandan salonlar\u0131na giren ba\u015fkanlar\u0131n\u0131 dinliyorlard\u0131. Ekonomi haberleri, “B\u00fcy\u00fcyoruz” diyordu, izleyenlerin cebi h\u0131zla bo\u015fal\u0131rken… Dizi filmlerde de hep zengin ailelerin g\u00fczel ve yak\u0131\u015f\u0131kl\u0131 \u00e7ocuklar\u0131 vard\u0131 zaten. Din b\u00fcy\u00fckleri, haram ve helalleri ezberletiyordu onlara. \u00d6\u011fle ku\u015faklar\u0131nda sa\u00e7\u0131n\u0131 makyaj\u0131n\u0131, mimi\u011fini izlemekten s\u00f6ylediklerine kulak kabartamad\u0131klar\u0131 kad\u0131nlar ve adamlar, orac\u0131kta k\u00fclt\u00fcr katliam\u0131 yap\u0131yordu \u00f6rne\u011fin. Dinleseler de fark eder miydi; okullarda faili me\u00e7hul cinayetler anlat\u0131lm\u0131yordu ve lise ders kitaplar\u0131nda edebiyat tarihi, Sabahattin Ali’ye ula\u015famadan son buluyordu.\r
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On yedinci y\u00fczy\u0131l Avrupa’s\u0131nda d\u00fc\u015f\u00fcn\u00fcrlerin, k\u00fclt\u00fcr insanlar\u0131n\u0131n kafeterya sohbetleriyle \u015fekillenen dergicilik de epey yara ald\u0131. Siyaset-ticaret-medya \u00fc\u00e7l\u00fcs\u00fc oraya da el att\u0131. Yine de ac\u0131mas\u0131z olmayal\u0131m; gazete, radyo ve televizyonun aksine dergi, itibar\u0131n\u0131 ?h\u00e2l\u00e2- kaybetmedi. Medyan\u0131n kirli d\u00fczeninde s\u0131\u011f\u0131n\u0131lacak tek ada o. Ama evet, h\u00e2l\u00e2… \u00c7\u00fcnk\u00fc g\u00fcc\u00fcn \u00e7ok kolay yer de\u011fi\u015ftirdi\u011fi “medya \u00e7a\u011f\u0131”nda hi\u00e7bir \u015feyin garantisi yok.\r
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Medya nas\u0131l d\u00fc\u015fmesin!<\/b>\r
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Bu trajik d\u00fc\u015f\u00fc\u015f\u00fcn nedenleri, nas\u0131llar\u0131n\u0131n i\u00e7inde sakl\u0131…\r
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Ahlaks\u0131z bir medya nas\u0131l d\u00fc\u015fmesin? S\u0131rt\u0131n\u0131 en tepedeki g\u00fcce dayam\u0131\u015f, kendini hem yarg\u0131\u00e7 hem savc\u0131 yerine koymu\u015f, h\u00fckm\u00fc vermi\u015f, kalemini k\u0131rm\u0131\u015f! Tek taraf\u0131n fikirlerini her g\u00fcn matbu ve dijital ortamlarda y\u00fcz\u00fcm\u00fcze bang\u0131r bang\u0131r ba\u011f\u0131r\u0131yorlar. Yalana inanmaya \u00e7a\u011f\u0131r\u0131yorlar. Sava\u015f\u0131 lanetleyemeyenden ahlak beklenir mi! \u00d6l\u00fcm\u00fc kutsayandan, \u015fiddetin dilini her g\u00fcn yeniden \u00fcretenden… Kendisi sava\u015f tutsa\u011f\u0131 olmu\u015f medyadan \u00f6zg\u00fcrl\u00fck beklenir mi!\r
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Kendi \u00e7ocuklar\u0131n\u0131 yiyen medya, nas\u0131l d\u00fc\u015fmesin? Plazalar\u0131n tepesinde fabrikat\u00f6r kurumuyla dola\u015fan yay\u0131n y\u00f6netmenleri, medya sahipleri; sayfalar\u0131nda ve ekranlar\u0131nda yer vermedi\u011fi i\u015f bar\u0131\u015f\u0131n\u0131 elbette \u00e7al\u0131\u015fanlar\u0131ndan da esirgeyecek, ne sand\u0131n\u0131z! \u00d6rg\u00fcts\u00fcz, haklar\u0131 ayaklar alt\u0131na al\u0131nm\u0131\u015f medya \u00e7al\u0131\u015fan\u0131n\u0131n \u00fc\u00e7 kuru\u015fa talim etti\u011fi i\u015finden olmas\u0131, y\u00f6neticisinin iki duda\u011f\u0131 aras\u0131nda. \u00dcstelik sa\u011fl\u0131\u011f\u0131 \u00f6nemsenmeden uzun saatler \u00e7al\u0131\u015ft\u0131r\u0131labiliyorken yani can derdine d\u00fc\u015fm\u00fc\u015fken medyan\u0131n toplumdaki \u00f6nemini d\u00fc\u015f\u00fcnecek hali mi kal\u0131yor?\r
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Dilini kaybeden medya nas\u0131l d\u00fc\u015fmesin? Temeli dil olan ileti\u015fim, en basit kurallar\u0131 bilmeyenlerin dilinde dola\u015f\u0131yor. Anlat\u0131m bozukluklar\u0131 ve imla hatalar\u0131yla dolu c\u00fcmleler mi arars\u0131n\u0131z, kelime bilgisinden yoksunluk mu, dille dayat\u0131lan ideolojiler mi? \u015eiddet, e\u015fitsizlik, adaletsizlik, bask\u0131, sans\u00fcr, yoksulluk, biat… Her \u015fey dilden yans\u0131yor…\r
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Medya ki kitlelerin aynas\u0131d\u0131r. O halde c\u00fcmb\u00fcr cemaat d\u00fc\u015f\u00fcyoruz. Kayalara \u00e7arpa \u00e7arpa u\u00e7uruma yuvarlan\u0131yoruz. Dibi bulursak belki tekrar \u00e7\u0131kmaya ba\u015flar\u0131z. Cervantes, “Kalem, zihnin lisan\u0131d\u0131r” der. Birilerinin kalemi, hepimiz ad\u0131na yazmaya, bug\u00fcnleri kaydetmeye devam ediyor. Elbet bu lisan bir g\u00fcn daha iyi anla\u015f\u0131lacakt\u0131r.

Related Images:<\/h3>","protected":false},"excerpt":{"rendered":"

Kalemin d\u00fc\u015f\u00fc\u015f\u00fc \u00e7ok ses \u00e7\u0131kar\u0131r. \u00c7arpman\u0131n etkisinden midir sesin yank\u0131s\u0131ndan m\u0131; kalem par\u00e7alan\u0131nca s\u00f6z k\u0131r\u0131l\u0131r, hik\u00e2yeler d\u00f6k\u00fcl\u00fcr. Ki onlar, d\u00fcnya var oldu\u011fundan bu yana parma\u011f\u0131m\u0131z\u0131n […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[44],"tags":[],"_links":{"self":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/64933"}],"collection":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/comments?post=64933"}],"version-history":[{"count":0,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/64933\/revisions"}],"wp:attachment":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media?parent=64933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/categories?post=64933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/tags?post=64933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}