{"id":63786,"date":"2010-09-24T00:00:00","date_gmt":"2010-09-24T00:00:00","guid":{"rendered":"http:\/\/kentyasam.com.tr\/wp\/?p=63786"},"modified":"2010-09-24T00:00:00","modified_gmt":"2010-09-24T00:00:00","slug":"tophane-nin-karanlik-sokaklarinda","status":"publish","type":"post","link":"https:\/\/kentyasam.com.tr\/wp\/2010\/09\/24\/tophane-nin-karanlik-sokaklarinda\/","title":{"rendered":"Tophane’nin karanl\u0131k sokaklar\u0131nda…"},"content":{"rendered":"\tBa\u015fl\u0131k, Vedat T\u00fcrkali\u0092nin \u00fcnl\u00fc \u0093\u0130stanbul\u0094 adl\u0131 uzun \u015fiirinin 20. k\u0131tas\u0131n\u0131n son dizesidir. Hani, Onur Ak\u0131n\u0092\u0131n besteleyip yorumlad\u0131\u011f\u0131 (Bana g\u00f6re en iyi \u0093i\u015fi\u0094dir. \u00d6teki \u00e7al\u0131\u015fmalar\u0131, sekiz saatlik tek \u015fark\u0131n\u0131n \u00fc\u00e7er dakikalara b\u00f6l\u00fcn\u00fcp b\u00f6l\u00fcn\u00fcp, ayr\u0131 adlarla piyasaya s\u00fcr\u00fcld\u00fc\u011f\u00fc izlenimi verir. Bana g\u00f6re…) ve hepimizin \u0093Salk\u0131m salk\u0131m tan yelleri esti\u011finde…\u0094 ya da \u0093Bekle Bizi \u0130stanbul\u0094 diye bildi\u011fi, s\u00f6yledi\u011fi ya da istedi\u011fi \u015fark\u0131n\u0131n \u015fiiri. Besteci, 20. k\u0131tan\u0131n son dizesiyle, 21. k\u0131tan\u0131n ilk \u00fc\u00e7 dizesini birle\u015ftirmi\u015f, ortaya dinledi\u011fimiz \u015fu hali \u00e7\u0131km\u0131\u015ft\u0131r:\r
\r
Tophanenin karanl\u0131k sokaklar\u0131nda\r
Koyunkoyuna yatan \u00e7ocuklar\u0131nla bekle\r
Bekle zafer \u015fark\u0131lar\u0131yla ge\u00e7i\u015fimizi\r
Bekle bizi \u0130stanbul<\/i>\r
\r
\t\u015eiirin, bizi ilgilendiren b\u00f6l\u00fcm\u00fcne dair \u00f6zg\u00fcn halini de yazal\u0131m ki, T\u00fcrkali Ustam\u0131za sayg\u0131s\u0131zl\u0131k olmas\u0131n;\r
\r
\u0093Mavi denizlerine yaslanm\u0131\u015f\r
Beyaz tahta masal\u0131 kahvelerinle bekle\r
Ve bir kuru\u015fa Yenihayat satan\r
Tophanenin karanl\u0131k sokaklar\u0131nda\r
\r
Koyunkoyuna yatan\r
Kirli \u00e7ocuklar\u0131nla bekle bizi\t\r
Bekle zafer \u015fark\u0131lar\u0131yla caddelerinden ge\u00e7i\u015fimizi\r
Bekle dinamiti tarihin\r
\r
Bekle yumruklar\u0131m\u0131z\r
Haramilerin saltanat\u0131n\u0131 y\u0131ks\u0131n\r
Bekle o g\u00fcnler gelsin \u0130stanbul bekle\r
Sen bize lay\u0131ks\u0131n\u0094<\/i>\r
\r
\t\u015eiirin tamam\u0131 42 k\u0131tadan olu\u015fur. Dinledi\u011fimiz \u015fark\u0131n\u0131n s\u00f6zleri ise, bir anlamda \u0093kolaj\u0094d\u0131r. Bir de \u015fiirin tamam\u0131n\u0131 okuman\u0131z\u0131 sal\u0131k veririm. \u0093\u0130stanbul\u0094, \u015fiirimizin k\u00f6\u015feba\u015f\u0131 yap\u0131tlar\u0131ndan biridir.\r
\t\u015eark\u0131daki s\u00f6zlerle, \u015fiirin \u00f6zg\u00fcn halini k\u0131yaslamak, Murathan Mungan\u0092\u0131n talebini hakl\u0131 g\u00f6rmemizi sa\u011flayabilir; \u0093\u015eiirlerimi bestelemeyin, isteyin ben size \u0093\u015fark\u0131 s\u00f6z\u00fc\u0094 yazay\u0131m…\u0094 Do\u011frusu pek \u00e7ok \u015fark\u0131 i\u00e7in, \u0093\u015fark\u0131 s\u00f6z\u00fc\u0094ne d\u00f6n\u00fc\u015ft\u00fcrme gayretiyle, \u00f6zg\u00fcn hallerini mumla aratan i\u011fdi\u015f edilmi\u015f \u015fiirleri hat\u0131rlarsak, \u0093\u015fiirime dokunma\u0094 diyen \u015faire hak vermemek de, elde de\u011fildir. \r
\t\u0093Eee, bu \u015fiir tan\u0131t\u0131m\u0131, besteci ele\u015ftirisi, \u015fiir ile \u015fark\u0131 s\u00f6z\u00fc k\u0131yaslamas\u0131 nedendir?\u0094 diye soruyorsan\u0131z, hakl\u0131s\u0131n\u0131z. Yazar\u0131n\u0131z, olabildi\u011fince sakin bir yaz\u0131 kaleme almak istedi\u011fi i\u00e7in, pe\u015frevi uzatmaktad\u0131r. \u0093Tophane hadisesi\u0094 \u00fcst\u00fcne yazmaya koyuldu\u011fundan, haydi itiraf edelim, asl\u0131nda \u015fiiri kendisi i\u00e7in anlatmakta, f\u0131rt\u0131nas\u0131n\u0131 ve \u00f6fkesini zaptetmeye \u00e7al\u0131\u015fmaktad\u0131r. Yaz\u0131n\u0131n sonunu da, bu \u015fiire at\u0131fta bulunarak getirmeyi \u00fcmit etmektedir. \r
\t30 \u0096 35 kadar g\u00f6z\u00fc d\u00f6nm\u00fc\u015ften olu\u015fan bir g\u00fcruh, Tophane sokaklar\u0131nda -2010 K\u00dcLT\u00dcR BA\u015eKENT\u0130 olan \u0130stanbul\u0092da!- sergi a\u00e7\u0131l\u0131\u015f\u0131 yapan galerilere sald\u0131rd\u0131. Ellerinde odunlar, demir \u00e7ubuklar, biber gazlar\u0131; k\u0131rd\u0131lar, yaralad\u0131lar, ter\u00f6r yaratt\u0131lar. \r
\t\u015eu saate kadar elimizde ne var, ba\u015fl\u0131klar halinde bakal\u0131m:\r
\tTutuklan\u0131p b\u0131rak\u0131lanlar ve \u00e7at\u0131r \u00e7at\u0131r beyanat verenler,\r
\u0093Kentsel d\u00f6n\u00fc\u015f\u00fcm projeleri pervas\u0131zca uyguland\u0131\u011f\u0131ndan, b\u00f6lge ya da mahallelerdeki ‘hassasiyetler’ dikkate al\u0131nmamaktad\u0131r\u0094 diyenler,\r
\t\u0093Biz do\u011fudan gelip, Tophane b\u00f6lgesine yerle\u015fen, muafazakar insanlar\u0131z. Bizi geri g\u00f6ndereceklerini s\u00f6yl\u00fcyorlar. T\u00fcrbanl\u0131 kad\u0131nlar\u0131m\u0131za hakaret ettiler, a\u011f\u0131zlar\u0131n\u0131n pay\u0131n\u0131 ald\u0131lar. Ke\u015fke ben de orada olsayd\u0131m\u0094 diyenler,\r
\t\u0093\u0130\u015ften d\u00f6n\u00fcp evinde dinlenen, \u00e7oluk \u00e7ocu\u011fuyla sakin bi\u00e7imde oturan insanlar\u0131 d\u00fc\u015f\u00fcnmeden, sokakta i\u00e7ki i\u00e7ip m\u00fczik dinleyenlerin hi\u00e7 mi su\u00e7u yok?\u0094 diye soranlar,\r
\t\u0093Buyurun \u00e7ukulata, tatl\u0131 yiyelim, meseleyi tatl\u0131ya ba\u011flayal\u0131m\u0094 diyen \u0093bakan\u0094lar,\r
\t\u0093Hay\u0131r\u0092c\u0131lar, bu meseleyi kendilerine yontuyor. Yok \u00f6yle abart\u0131lacak bir durum, hadiseyi buralara \u00e7ekmek de ba\u015fka bir azg\u0131nl\u0131kt\u0131r\u0094 mealindeki k\u00f6\u015fe yaz\u0131s\u0131n\u0131, Toronto yolundayken havaalan\u0131nda d\u00f6kt\u00fcren, en iyi savunma sald\u0131rmakt\u0131r \u00f6rne\u011fini parlatan radikal cing\u00f6z, pardon cengizler,\r
\tS\u00f6ze \u0093Tophane nostaljisi\u0094 ile ba\u015flay\u0131p, \u0130stanbul kald\u0131r\u0131mlar\u0131n\u0131n darl\u0131\u011f\u0131ndan yak\u0131narak, b\u00f6lgenin Karaba\u015f Mahallesinin b\u0131\u00e7k\u0131nlar\u0131yla \u00fcnl\u00fc oldu\u011funu vurgulay\u0131p; \u0093Tophaneliler asl\u0131nda ba\u011fnaz insanlar de\u011fildir. Unutmay\u0131n ki 250 metre mesafede Alageyik Soka\u011f\u0131 (Genelevlerden s\u00f6zediyor galiba. H.I.) var. Siz gene de bu hadiseyi de\u011ferlendirirken kald\u0131r\u0131mlar\u0131n yetersizli\u011fini ve Karaba\u015f erkeklerinin burnunda haz\u0131r bekleyen \u00f6fkesini dikkate almazl\u0131k etmeyin, derim. Yoksa yan\u0131l\u0131rs\u0131n\u0131z!\u0094 diskuru ile asl\u0131nda ne dedi\u011fini\/diyece\u011fini, iyice kar\u0131\u015ft\u0131ran, bunu \u0093hakk\u0131\u0094 ve \u0093devrim\u0094 gere\u011fi g\u00f6ren kendinden menkul ak\u0131ldaneler,\r
\t\u00d6f, \u00f6tesini gazetelerden, televizyonlardan okudunuz, izlediniz, biliyorsunuz…\r
\tBu \u00fclkede tiyatrolar kundakland\u0131, sinemalar bas\u0131ld\u0131, filmler yak\u0131ld\u0131, kitaplar, \u015fiirler, oyunlar yasakland\u0131, heykellere sald\u0131r\u0131ld\u0131, \u0093t\u00fck\u00fcr\u00fcr\u00fcm ben b\u00f6yle sanat\u0131n i\u00e7ine\u0094 denildi, kiminin \u00fcst\u00fcne \u015fal \u00f6rt\u00fcld\u00fc g\u00f6renlerin edepleri bozulmas\u0131n diye, karikat\u00fcristler mahkemeye verildi, \u015fairler s\u00fcrg\u00fcnde \u00f6lmek zorunda kald\u0131, olmad\u0131 otellerde yak\u0131ld\u0131… \r
\u015eimdi \u00f6l\u00fc akvaryum bal\u0131\u011f\u0131 gibi olup bitene \u015fa\u015fkoloz bakmak i\u00e7in, ya o bal\u0131k kadar belleksiz, ya korkun\u00e7 bir gelece\u011fin ortakl\u0131\u011f\u0131n\u0131 kabul etmek, ya da ger\u00e7ekten sa\u011f\u0131lt\u0131m\u0131 olanaks\u0131z bir ak\u0131l tutulmas\u0131na u\u011framak gerek. Hepsinin ya\u015fand\u0131\u011f\u0131, denendi\u011fi, s\u0131nand\u0131\u011f\u0131 demlerden ge\u00e7iyoruz.\r
\tDostlar, \u0093hadise\u0094 i\u00e7in yeterince s\u0131zlan\u0131lm\u0131\u015ft\u0131r. Sadede gelelim.\r
\tB\u00f6yle b\u00f6yle al\u0131\u015ft\u0131raca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnen bir tezgah\u0131n i\u00e7ine, hep birlikte \u00e7ekilmemiz, hep birlikte i\u00e7inde debelenmemiz istenmektedir. \r
\tK\u00fclt\u00fcrel ve sanatsal alanlar daha g\u00f6z \u00f6n\u00fcnde oldu\u011fu i\u00e7in, g\u00f6rece tepki g\u00f6rmektedir. Oysa emek, e\u011fitim, ekonomi, bilim, medya, do\u011fal ve tarihsel \u00e7evre… Buralarda olup bitenler, g\u00f6r\u00fclmemekte\/yok say\u0131lmakta, bilinmemekte, yaz\u0131lmamakta ve s\u00f6ylenmemektedir. \u00c7ok ciddi bir s\u00fcre\u00e7 i\u00e7inde oldu\u011fumuzu ve bu s\u00fcrecin daha da h\u0131zlanaca\u011f\u0131n\u0131 s\u00f6ylemek, kehanet de\u011fildir.\r
\tO nedenle, \u0093Tophane hadisesi\u0094 ve benzerleri, m\u00fcnferit olaylar de\u011fildir. 6 \u0096 7 Eyl\u00fcl Olaylar\u0131 ba\u015fta olmak \u00fczere, bu \u00fclkenin karde\u015fli\u011fi, ho\u015fg\u00f6r\u00fcs\u00fc ve birlikteli\u011fi, \u00e7ooook uzun y\u0131llardan beri han\u00e7erlenmektedir. \r
\tBug\u00fcn bu han\u00e7erin bir yerinde, kendilerini sol-ilerici-\u00e7a\u011fda\u015f s\u00f6ylemlerle tan\u0131mlamaya \u00e7al\u0131\u015f\u0131rken, devletin sakilli\u011fine sald\u0131r\u0131yorum derken \u0096biz bunu dillendiren ve ac\u0131s\u0131n\u0131 \u00e7eken bir ku\u015fa\u011f\u0131n \u00e7ocuklar\u0131y\u0131z- asl\u0131nda nereye su ta\u015f\u0131d\u0131klar\u0131n\u0131 bilmeyenlerin de elleri vard\u0131r, el izleri olacakt\u0131r. Bunu tez zamanda g\u00f6rmelerini ne \u00e7ok isterdik.\r
\tBu mahcubiyet ve kafa kar\u0131\u015f\u0131kl\u0131\u011f\u0131 ve kimlik erozyonu i\u00e7inde, faillerden daha fazla ses \u00e7\u0131kar\u0131p, bo\u015f tenekeler gibi, gazetelerde ve televizyonlardaki hezeyanlar\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyorlar, s\u00fcrd\u00fcreceklerdir.\r
\tBir yaz\u0131da her\u015feyi s\u00f6yleyecek halimiz yok. Bu yaz\u0131l\u0131k, s\u00f6z\u00fcn ucunu ba\u011flayal\u0131m.\r
\t\u0093\u0130stanbul\u0094 \u015fiirinde Vedat T\u00fcrkali, kurtulu\u015fun, \u0093Tophane’nin karanl\u0131k sokaklar\u0131nda\u0094 ya\u015fayanlar\u0131n da, s\u0131n\u0131f bilinciyle, yurtseverli\u011fin gerekleriyle donand\u0131klar\u0131 oranda gelece\u011fini s\u00f6yler. Do\u011fa bo\u015flu\u011fu kabul edemiyor ne yaz\u0131k ki…\r
\t\u015eimdi bizim sokaklar\u0131m\u0131zda \u00e7arp\u0131k bir ahlak, gelece\u011fe olan inanc\u0131 mahvetmi\u015f bir zelzele, kolayc\u0131l\u0131k, biat ve s\u00f6zs\u00fczl\u00fc\u011f\u00fcn-i\u00e7eriksizli\u011fin tetikledi\u011fi \u015fiddet, bilimden sanattan k\u00fclt\u00fcrden nasip almam\u0131\u015fl\u0131k egemendir.\r
\tGalerilere sald\u0131ranlar, nas\u0131l bir k\u00f6r dehlizde ya\u015fad\u0131klar\u0131n\u0131, nereye s\u00fcr\u00fcklendiklerini bilmemektedir. \r
\tT\u0131pk\u0131 \u00f6ncekiler gibi, t\u0131pk\u0131 onlar\u0131n s\u0131rt\u0131n\u0131 s\u0131vazlayanlar gibi, t\u0131pk\u0131 s\u0131rtlar\u0131ndan rant yiyenler gibi.\r
\tT\u0131pk\u0131, \u0093\u0130stanbul\u0094 \u015fark\u0131s\u0131n\u0131 hu\u015fu i\u00e7inde dinleyip, i\u00e7eri\u011fiyle, duru\u015f-etik-yaz\u0131-s\u00f6ylem-eylem ba\u011flam\u0131nda bulu\u015famayanlar, bu bulu\u015fmadan vazge\u00e7enler gibi.\r
\t\u0130nanmad\u0131\u011f\u0131n\u0131z ama dilinize pelesenk etti\u011finiz \u015fiirler \u015fark\u0131lar, s\u0131cak yataklar\u0131n\u0131zdaki karabasan\u0131n\u0131z olsun!\r
\tOlacak, g\u00f6receksiniz!\r
\tBizim derdimiz, bu g\u00fczelim \u00fclkeye o karabasanlar egemen olmas\u0131n diyedir.\r
\r
\t……….\r
\r
\t\u00d6nemli bir not:\r
\r
\u015eimdi kalk\u0131p, \u0093Vedat T\u00fcrkali\u0092den s\u00f6z ediyorsun, referandumda o \u0093Evet\u0094 demi\u015fti, bu nas\u0131l \u00e7eli\u015fki?\u0094 diyecek ak\u0131ldaneler \u00e7\u0131kabilir. Ben de onlara derim ki; bir \u015fairin \u0093evet\u0094inden \u0093hay\u0131r\u0094\u0131ndan size ne? Sonra eklerim; Onur Ak\u0131n\u0092\u0131, \u0093Geliyor geliyor…\u0094 diye dinlediniz. Peki, \u0093Bekle bizi \u0130stanbul \u0093unu da dinliyor, be\u011feniyorsunuz. E nas\u0131l olacak bu i\u015fler? \u00d6yle ya, o m\u00fcthi\u015f s\u00f6zleri de Vedat T\u00fcrkali yazmad\u0131 m\u0131? Bunun fatura d\u00f6k\u00fcm\u00fcn\u00fc Vedat T\u00fcrkali verebilir, ama siz sorgulayamaz, hesap isteyemezsiniz. Size ne?\r
\u00dczg\u00fcn\u00fcm, sanat\u00e7\u0131 \u00f6zg\u00fcr ve \u00f6zerktir. Hi\u00e7bir sistem, – benim inand\u0131\u011f\u0131m dahil – d\u00fcnya g\u00f6r\u00fc\u015f\u00fc, yasa, gelenek ve g\u00f6renek, bu \u00f6zg\u00fcrl\u00fck ve \u00f6zerkli\u011fi sorgulama hakk\u0131na ve haddine sahip de\u011fildir, olamaz.\r
\t\u0130kincisi, Sezen Aksu… Levhas\u0131n\u0131 sokak ba\u015f\u0131ndan kald\u0131rd\u0131lar. Korkun\u00e7. O levha, herhalde Sezen Aksu fasulye sevdi\u011finden, ho\u015f mahalle k\u0131z\u0131 oldu\u011fundan, inan\u0131lmaz yurt ve d\u00fcnya tahlillerine sahip oldu\u011fundan dolay\u0131 as\u0131lmad\u0131. \u015eark\u0131lar\u0131 i\u00e7in, o \u015fark\u0131lar\u0131 s\u00f6yleyen bir \u0130zmirli oldu\u011fu i\u00e7in as\u0131ld\u0131. Bu nas\u0131l bir hezeyand\u0131r?\r
\t\u00d6nce katledip, sonra heykellerini dikmek, sonra iklim de\u011fi\u015fince o heykelleri kald\u0131rmak, sonra \u0093ay pardon\u0094 deyip yeniden asmak, sadece ve sadece ilkel, olgunla\u015fmam\u0131\u015f, \u00e7a\u011fd\u0131\u015f\u0131, kimli\u011fi tart\u0131\u015f\u0131l\u0131r toplumlara \u00f6zg\u00fc bir davran\u0131\u015ft\u0131r. \r
\tKu\u015fkusuz, bir sanat\u00e7\u0131n\u0131n s\u00f6z\u00fc, \u00f6z\u00fc, eylemi hayata dairdir. Soyutlanamaz oldu\u011fu kadar yarg\u0131lanamaz da. E b\u0131rak\u0131n, onu da hayat s\u00fczs\u00fcn o sars\u0131lmaz encam\u0131yla, ele\u011fiyle, imbi\u011fiyle.\r
\tLevhas\u0131 kald\u0131r\u0131ld\u0131 ya, \u015fimdi heykelini dikelim diyorlar. \u0130\u015fe bak!\r
\tBir durun ya, harbiden bir durun!

Related Images:<\/h3>","protected":false},"excerpt":{"rendered":"

Ba\u015fl\u0131k, Vedat T\u00fcrkali\u0092nin \u00fcnl\u00fc \u0093\u0130stanbul\u0094 adl\u0131 uzun \u015fiirinin 20. k\u0131tas\u0131n\u0131n son dizesidir. Hani, Onur Ak\u0131n\u0092\u0131n besteleyip yorumlad\u0131\u011f\u0131 (Bana g\u00f6re en iyi \u0093i\u015fi\u0094dir. \u00d6teki \u00e7al\u0131\u015fmalar\u0131, sekiz […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[27],"tags":[],"_links":{"self":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/63786"}],"collection":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/comments?post=63786"}],"version-history":[{"count":0,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/63786\/revisions"}],"wp:attachment":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media?parent=63786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/categories?post=63786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/tags?post=63786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}