{"id":3692,"date":"2004-11-30T00:00:00","date_gmt":"2004-11-30T00:00:00","guid":{"rendered":"http:\/\/kentyasam.com.tr\/wp\/?p=3692"},"modified":"2004-11-30T00:00:00","modified_gmt":"2004-11-30T00:00:00","slug":"yonetmen-sanati-yapimci-ise-parayi-dusunur","status":"publish","type":"post","link":"https:\/\/kentyasam.com.tr\/wp\/2004\/12\/00\/yonetmen-sanati-yapimci-ise-parayi-dusunur\/","title":{"rendered":"“Y\u00f6netmen sanat\u0131, yap\u0131mc\u0131 ise paray\u0131 d\u00fc\u015f\u00fcn\u00fcr”"},"content":{"rendered":"Almanya’da ya\u015fayan T\u00fcrk Y\u00f6netmen Ay\u015fe Polat, Ege \u00dcniversitesi \u0130leti\u015fim Fak\u00fcltesi’nde yap\u0131lan “Almanya’dan Geri D\u00f6nenler” ve “\u0130zmir’de Ya\u015fayan Levantenler” konulu seminere kat\u0131ld\u0131. 1992 y\u0131l\u0131nda \u00e7ekti\u011fi “Beyhan \u0130\u00e7in Bir \u015eenlik” adl\u0131 k\u0131sa filminin de g\u00f6sterildi\u011fi seminerde sorular\u0131 yan\u0131tlayan Polat, \u00f6\u011frencilere y\u00f6netmenlik ve sinema hakk\u0131nda bilgiler de verdi. Ay\u015fe Polat, “Her sanatsal etkinlik \u00f6zellik ister. Filmlerinde \u00f6znelli\u011fini kullanmaktan yanay\u0131m” dedi. “Kurgusal filmde y\u00f6netmenin amac\u0131 kendi fikirlerini ve \u00f6znelli\u011fini gizlemektir” diyen Ay\u015fe Polat, “Zaman ge\u00e7tik\u00e7e \u00e7ekti\u011finiz her filmde ger\u00e7ekli\u011fi yans\u0131tmaya ba\u015fl\u0131yorsunuz. Ger\u00e7ekleri dile getirmek ve bunu filme aktarmak bir y\u00f6netmenin en b\u00fcy\u00fck ba\u015far\u0131s\u0131d\u0131r” diye konu\u015ftu. Uzun ve k\u0131sa metrajl\u0131 filmler aras\u0131nda \u00e7ok b\u00fcy\u00fck bir fark oldu\u011funu savunan Polat, “K\u0131sa metrajl\u0131 film \u00e7ok risklidir \u00e7\u00fcnk\u00fc her \u015feyi k\u0131sa bir s\u00fcrede izleyiciye vermelisiniz. Ama uzun metrajl\u0131 filmde y\u00f6netmen kendini daha rahat ifade eder. Ger\u00e7ekleri daha iyi bir bi\u00e7imde seyirciye sunar” dedi. Senaryo yaz\u0131m\u0131 hakk\u0131nda da ipu\u00e7lar\u0131 veren Ay\u015fe Polat, senaryo olu\u015fturulurken g\u00fcnl\u00fck hayattan notlar al\u0131nmas\u0131 ve g\u00f6zlem yap\u0131lmas\u0131 gerekti\u011fini kaydetti. Senaryonun bir filmin temel ta\u015f\u0131 oldu\u011funu belirten Polat, “Senaryo g\u00fczel kurulursa film ak\u0131c\u0131 ve ba\u015far\u0131l\u0131 olur” dedi. Sinemada her zaman b\u00fct\u00e7enin s\u0131n\u0131rland\u0131r\u0131c\u0131 etkisi bulundu\u011funu vurgulayan Y\u00f6netmen Ay\u015fe Polat, “Senaryodaki \u00f6nemli de\u011fi\u015fiklikler b\u00fct\u00e7ede kendini g\u00f6sterir. Y\u00f6netmenleri en \u00e7ok zorlayan prod\u00fcksiyondur. Her zaman para az gelir. Y\u00f6netmenlerin en b\u00fcy\u00fck sorunlar\u0131 da yap\u0131mc\u0131larla oluyor. Y\u00f6netmen ve yap\u0131mc\u0131n\u0131n bak\u0131\u015f a\u00e7\u0131lar\u0131 \u00e7ok farkl\u0131d\u0131r. Y\u00f6netmen sanat\u0131 d\u00fc\u015f\u00fcn\u00fcrken; yap\u0131mc\u0131 maddiyat\u0131 d\u00fc\u015f\u00fcn\u00fcr” g\u00f6r\u00fc\u015f\u00fcn\u00fc dile getirdi. (Mine \u00c7\u0131kr\u0131k \/ Beg\u00fcm \u00c7elikkol \/ Ege Ajans)

Related Images:<\/h3>","protected":false},"excerpt":{"rendered":"

Almanya’da ya\u015fayan T\u00fcrk Y\u00f6netmen Ay\u015fe Polat, Ege \u00dcniversitesi \u0130leti\u015fim Fak\u00fcltesi’nde yap\u0131lan “Almanya’dan Geri D\u00f6nenler” ve “\u0130zmir’de Ya\u015fayan Levantenler” konulu seminere kat\u0131ld\u0131. 1992 y\u0131l\u0131nda \u00e7ekti\u011fi “Beyhan […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/3692"}],"collection":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/comments?post=3692"}],"version-history":[{"count":0,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/3692\/revisions"}],"wp:attachment":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media?parent=3692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/categories?post=3692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/tags?post=3692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}