{"id":121986,"date":"2024-06-23T13:37:34","date_gmt":"2024-06-23T10:37:34","guid":{"rendered":"https:\/\/kentyasam.com.tr\/wp\/?p=121986"},"modified":"2024-06-23T14:14:01","modified_gmt":"2024-06-23T11:14:01","slug":"anadolunun-gozyaslari-elbet-bir-gun-sona-erecek","status":"publish","type":"post","link":"https:\/\/kentyasam.com.tr\/wp\/2024\/06\/23\/anadolunun-gozyaslari-elbet-bir-gun-sona-erecek\/","title":{"rendered":"“Anadolu’nun G\u00f6zya\u015flar\u0131” elbet bir g\u00fcn sona erecek"},"content":{"rendered":"\n

Ara\u015ft\u0131rmac\u0131 yazar Ya\u015far Y\u0131lmaz’\u0131n 2015 y\u0131l\u0131nda yay\u0131mlad\u0131\u011f\u0131 \u201cAnadolu\u2019nun G\u00f6zya\u015flar\u0131\u201d  kitab\u0131, k\u00fclt\u00fcrel miras\u0131m\u0131za ilgi duyanlar\u0131n yan\u0131 s\u0131ra ara\u015ft\u0131rmac\u0131lar ve akademisyenler i\u00e7in de olduk\u00e7a de\u011ferli bir \u00e7al\u0131\u015fma.  <\/em><\/strong><\/p>\n\n\n\n

Berlin’de d\u00fcnyaca \u00fcnl\u00fc Pergamon M\u00fczesi’ni ziyaret etti\u011fimizde “Bergama’n\u0131n neredeyse havas\u0131yla suyunu getirmemi\u015fler buraya” demi\u015ftim. Sadece Zeus Suna\u011f\u0131 de\u011fildi m\u00fczede g\u00f6rd\u00fc\u011f\u00fcm\u00fcz. Ba\u015fta Bergama’dan, Magnesia (Germencik) ve Priene’den (S\u00f6ke), Knidos’tan (Dat\u00e7a), Didim Apollon Tap\u0131na\u011f\u0131’ndan olmak \u00fczere Anadolu topraklar\u0131ndan s\u00f6k\u00fcl\u00fcp m\u00fcze binas\u0131nda b\u00fcy\u00fck bir gururla sergilenen irili ufakl\u0131 \u00e7ok say\u0131da eserimiz yer al\u0131yordu. Anadolu\u2019nun zenginli\u011fine bir kez daha hayran kalm\u0131\u015f ama yitirdiklerimiz i\u00e7in h\u00fcz\u00fcnle ayr\u0131lm\u0131\u015ft\u0131k m\u00fczeden.<\/p>\n\n\n

\n
\"Anadolu'nun<\/a><\/figure><\/div>\n\n\n

K\u00fclt\u00fcr Varl\u0131klar\u0131 ve M\u00fczeler Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc, Haziran ay\u0131nda yapt\u0131\u011f\u0131 a\u00e7\u0131klamada 2018 y\u0131l\u0131ndan bu yana yasa d\u0131\u015f\u0131 yollarla \u00fclkemizden yurt d\u0131\u015f\u0131na \u00e7\u0131kar\u0131lan 7 bin 824 eserin T\u00fcrkiye’ye getirildi\u011fini, bu eserleri dedektif titizli\u011finde izlediklerini a\u00e7\u0131klad\u0131. Bu a\u00e7\u0131klama bana k\u0131sa bir s\u00fcre \u00f6nce i\u015f insan\u0131 b\u00fcy\u00fc\u011f\u00fcm\u00fcz Aslan \u00d6nel<\/strong>\u2019in arma\u011fan\u0131 olan “Anadolu’nun G\u00f6zya\u015flar\u0131”<\/strong> kitab\u0131n\u0131 an\u0131msatt\u0131. Pergamon M\u00fczesi’ni gezerken hissetti\u011fim h\u00fczn\u00fc kitab\u0131 okurken bir kez daha ya\u015fad\u0131m. Yaz tatili nedeniyle\u00a0 yurt d\u0131\u015f\u0131na gitme plan\u0131 yapan vatanda\u015flar\u0131m\u0131z\u0131n, gidecekleri \u00fclkelerin m\u00fczelerini ziyaret etmeden \u00f6nce bu kitab\u0131 okumu\u015f olmalar\u0131n\u0131 diledim. \u00a0<\/p>\n\n\n\n

\u0130stanbul\u00a0 Teknik \u00dcniversitesi \u0130n\u015faat Fak\u00fcltesi mezunu, ara\u015ft\u0131rmac\u0131 yazar Ya\u015far Y\u0131lmaz<\/strong>‘\u0131n 2015 y\u0131l\u0131nda yay\u0131mlad\u0131\u011f\u0131 kitap, k\u00fclt\u00fcrel miras\u0131m\u0131za merakl\u0131lar\u0131n yan\u0131 s\u0131ra ara\u015ft\u0131rmac\u0131lar ve akademisyenler i\u00e7in de olduk\u00e7a de\u011ferli bir \u00e7al\u0131\u015fma. “Anadolu’nun G\u00f6zya\u015flar\u0131” 1830-1922 y\u0131llar\u0131 aras\u0131nda, Anadolu’nun \u00e7e\u015fitli b\u00f6lgelerinden “farkl\u0131 y\u00f6ntemlerle” g\u00f6t\u00fcr\u00fclm\u00fc\u015f, g\u00fcn\u00fcm\u00fczde Avrupa ve ABD’deki m\u00fczelerde sergilenen tarihi eserlerimizin, bug\u00fcne dek haz\u0131rlanm\u0131\u015f en kapsaml\u0131 envanterini sunuyor.\u00a0<\/p>\n\n\n

\n
\"Ya\u015far<\/a><\/figure><\/div>\n\n\n

Amat\u00f6r bir ruhla yola \u00e7\u0131kan, elindeki foto\u011fraf makinesiyle s\u0131radan bir ziyaret\u00e7i olarak d\u00fcnya m\u00fczelerini a\u00e7\u0131l\u0131\u015f saatinden kapand\u0131\u011f\u0131 saate kadar yava\u015f yava\u015f dola\u015fan ve bize ait eserleri kaydeden Ya\u015far Y\u0131lmaz’\u0131n ara\u015ft\u0131rmas\u0131 yakla\u015f\u0131k \u00fc\u00e7 y\u0131l s\u00fcrm\u00fc\u015f.  Y\u0131lmaz, kitab\u0131n \u00f6ns\u00f6z\u00fcnde m\u00fczeleri gezerken kar\u015f\u0131la\u015ft\u0131\u011f\u0131 ilgin\u00e7 bir detaya da yer vermi\u015f:<\/p>\n\n\n\n

“Uluslararas\u0131 s\u00f6zle\u015fmelere g\u00f6re m\u00fczeler eserleri nereden geldi\u011fini belirterek sergilemek zorundalar. Baz\u0131 m\u00fczeler bu kurala uymaz. Uyanlar ise eserlerimizin alt\u0131ndaki a\u00e7\u0131klamalarda, eserin geldi\u011fi yer olarak genellikle, Turkey, Asia Minor, Anatolia, East Greek gibi kelimeler ya da Balbura, Kremna, Kyzikos gibi antik kentlerimizin adlar\u0131n\u0131 yazmakla yetinmi\u015fler. Bu sorun, antik kentlerimizin adlar\u0131n\u0131 bilmek ve hepsini hat\u0131rlamakla \u00e7\u00f6z\u00fclebilirdi. B\u00fcy\u00fck bir rastlant\u0131d\u0131r ki; bir \u00f6nceki kitab\u0131m ‘T\u00fcrkiye’nin Antik Kentleri’nde antik kentlerimizden 118’inin tarih\u00e7esini yazm\u0131\u015f olmam, kent adlar\u0131n\u0131 hat\u0131rlamam\u0131 , eserlerin alt\u0131na sadece antik kentlerimizin ad\u0131n\u0131 yazm\u0131\u015f olsalar bile, o eserlerin bize ait oldu\u011funu anlamama ve g\u00f6zden ka\u00e7\u0131rmadan kaydetmeme katk\u0131 sa\u011flad\u0131.” <\/p>\n\n\n

\n
\"Berlin<\/a><\/figure><\/div>\n\n\n

Ya\u015far Y\u0131lmaz, yapt\u0131\u011f\u0131 ara\u015ft\u0131rmada Bat\u0131l\u0131 \u00fclkelerden ABD, Avusturya, \u0130ngiltere, Almanya, Fransa ve Yunanistan’\u0131 kendi giri\u015fimleriyle Anadolu’dan eserler ta\u015f\u0131m\u0131\u015f \u00fclkeler oldu\u011funu saptam\u0131\u015f. Y\u0131lmaz’a g\u00f6re Hollanda, Danimarka, Vatikan ve Rusya gibi \u00fclkeler ise eserlerin \u00e7o\u011funu Anadolu’da kaz\u0131lar yapmak yerine dolayl\u0131 yollarla elde etmi\u015f.  <\/p>\n\n\n\n

Kitapta m\u00fczelerin yer ald\u0131\u011f\u0131 \u00fclkeler, \u015fehirler alfabetik olarak yer alm\u0131\u015f. Ayr\u0131ca bu \u00fclkelerin Anadolu’da yapt\u0131\u011f\u0131 kaz\u0131 \u00e7al\u0131\u015fmalar\u0131, eserlerin \u00fclkemizden \u00e7\u0131kar\u0131l\u0131\u015f hikayeleri, bu s\u00fcre\u00e7te onlara yard\u0131mc\u0131 olan kanun adamlar\u0131, arkeologlar adeta nokta at\u0131\u015f\u0131yla verilmi\u015f. <\/p>\n\n\n\n

T\u00fcrk arkeoloji d\u00fcnyas\u0131 i\u00e7in b\u00fcy\u00fck \u00f6nem ta\u015f\u0131yan Osman Hamdi Bey<\/strong>‘in ad\u0131n\u0131n da kitapta s\u0131k s\u0131k ge\u00e7ti\u011fini belirtmekte yarar var. \u0130stanbul Arkeoloji M\u00fczesi’nin m\u00fcd\u00fcr\u00fc, ressam, Sanayi-i Nefise Mekteb-i Alisi’nin kurucusu Osman Hamdi Bey’in farkl\u0131 y\u00f6nlerine de de\u011finiyor kitap. Ya\u015far Y\u0131lmaz’\u0131n “Anadolu Antik Tiyatrolar\u0131”<\/strong> ad\u0131n\u0131 ta\u015f\u0131yan kitab\u0131n\u0131n yan\u0131 s\u0131ra tarihi eserlerimizin en yo\u011fun \u015fekilde yurt d\u0131\u015f\u0131na g\u00f6t\u00fcr\u00fcld\u00fc\u011f\u00fc d\u00f6nemde tek yetkili ki\u015fi olan Osman Hamdi Bey’in tutumunu belgeler \u0131\u015f\u0131\u011f\u0131nda inceledi\u011fi “Osman Hamdi Bey’in \u00d6teki Y\u00fcz\u00fc”<\/strong> adl\u0131 bir ara\u015ft\u0131rmas\u0131 da bulunuyor.<\/p>\n\n\n\n

\u00dcnl\u00fc m\u00fczelerde Anadolu eserleri<\/strong><\/p>\n\n\n

\n
\"Berlin<\/a><\/figure><\/div>\n\n\n

Kitapta Anadolu’da ya\u015fam\u0131\u015f Hititler, Likyal\u0131lar, Karyal\u0131lar, Urartular, Do\u011fu Romal\u0131lar, Sel\u00e7uklular ve Osmanl\u0131lar’a ait binlerce eserin bug\u00fcn yurt d\u0131\u015f\u0131nda, o \u00e7ok \u00fcnl\u00fc m\u00fczelerde sergilendi\u011fini g\u00f6receksiniz. <\/p>\n\n\n\n

Kitab\u0131n sunu\u015f yaz\u0131s\u0131nda Mimar Do\u011fan Hasol, “Asl\u0131nda, eserlerin bir \u00fclkeden ka\u00e7\u0131r\u0131lmas\u0131 \u00f6rg\u00fctl\u00fc taland\u0131r; \u00f6rg\u00fctl\u00fc su\u00e7tur. Eserlerin \u00f6z topra\u011f\u0131na iadesi gerekmez mi? Bir kabule g\u00f6re Bat\u0131, hukuka sayg\u0131l\u0131d\u0131r. Ne var ki, tarihsel olaylar ve ya\u015fanan deneyimler bizlere Bat\u0131’n\u0131n k\u0131rm\u0131z\u0131 \u00e7izgilerinin, kendi \u00e7\u0131karlar\u0131n\u0131n s\u0131n\u0131rlar\u0131yla belirlendi\u011fini anlat\u0131r. Ger\u00e7ek\u00e7i bir bak\u0131\u015fla, sorunun \u00e7\u00f6z\u00fcm\u00fcn\u00fcn kolay olmad\u0131\u011f\u0131 a\u00e7\u0131kt\u0131r” diyor.<\/p>\n\n\n\n

Sorun ger\u00e7ekten de b\u00fcy\u00fck ve \u00f6yle g\u00f6r\u00fcn\u00fcyor ki \u00e7\u00f6z\u00fcm\u00fc bir hayli zaman alacak. Ancak yazar Ya\u015far Y\u0131lmaz bu topraklara ait tarihi eserlerin pek \u00e7o\u011funun zamanla geri d\u00f6nece\u011finden emin. Bunun i\u00e7in sadece yeni ku\u015faklar\u0131n az\u0131c\u0131k daha cesur olmalar\u0131n\u0131n yeterli olaca\u011f\u0131n\u0131 belirtiyor. Benzer sorunlar ya\u015fayan \u00fclkelerle birlikte hareket etmelerinin \u00e7\u00f6z\u00fcm\u00fc kolayla\u015ft\u0131raca\u011f\u0131 g\u00f6r\u00fc\u015f\u00fcn\u00fc dile getiriyor. <\/p>\n\n\n\n

\u0130lk kez 2015 y\u0131l\u0131nda YEM Yay\u0131nlar\u0131’ndan \u00e7\u0131kan kitap 2015, 2018 ve 2020 y\u0131l\u0131nda yeniden bas\u0131lm\u0131\u015f. Kitab\u0131n geni\u015fletilmi\u015f be\u015finci bask\u0131s\u0131 ise Anadolu K\u00fclt\u00fcrel Giri\u015fimcilik taraf\u0131ndan yay\u0131mlanm\u0131\u015f. D\u00fcnyan\u0131n \u00fcnl\u00fc m\u00fczelerinde ve koleksiyonlar\u0131nda yer alan bine yak\u0131n renkli foto\u011fraf, grav\u00fcr ve belgeyi i\u00e7eren kitapta yer alan foto\u011fraflar Ya\u015far Y\u0131lmaz taraf\u0131ndan \u00e7ekilmi\u015f. <\/p>\n\n\n

\n
\"Berlin<\/a><\/figure><\/div>\n\n\n

M\u00fczelerde yer alan eserler aras\u0131nda basit mutfak gere\u00e7leri de var, e\u015fsiz m\u00fccevherler de. Dev boyutlu an\u0131t mezarlar, fig\u00fcrinler, lahitler, g\u00fcm\u00fc\u015f kaplar, mozaikler, hal\u0131lar, \u00e7iniler, sava\u015f aletleri gibi onbinlerce eseri izlerken Anadolu’dan, anavatan\u0131ndan kopar\u0131lan eserlerin g\u00f6zya\u015f\u0131n\u0131 g\u00f6r\u00fcyorsunuz adeta. Her bir eserin alt\u0131nda esere ili\u015fkin bilginin yan\u0131 s\u0131ra, ka\u00e7 y\u0131l\u0131na ait oldu\u011fu ve m\u00fczenin envanterine ne zaman kaydedildi\u011fi bilgisi de yer al\u0131yor. <\/p>\n\n\n\n

Kitaba ismini veren Anadolu’muzun g\u00f6zya\u015flar\u0131n\u0131n K\u00fclt\u00fcr Varl\u0131klar\u0131 ve M\u00fczeler Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc’n\u00fcn payla\u015ft\u0131\u011f\u0131 g\u00fczel haberlerle sona ermesini ve her biri \u00e7ok de\u011ferli olan k\u00fclt\u00fcrel miras\u0131m\u0131z\u0131n \u00fclkemize tek tek geri verilmesini \u00fcmit ediyorum.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

Celcus Kitapl\u0131\u011f\u0131’n\u0131n esin perileri Viyana’da<\/strong><\/p>\n\n\n

\n
\"Viyana<\/a><\/figure><\/div>\n\n\n

Kitab\u0131 incelerken \u0130zmir’den, Ege B\u00f6lgesi’nden g\u00f6t\u00fcr\u00fclen eserler \u00f6zellikle dikkatimi \u00e7ekti. Almanlar’\u0131n Bergama’dan g\u00f6t\u00fcrd\u00fckleri eserleri sergiledikleri Berlin’deki Pergamon M\u00fczesi’nin yan\u0131 s\u0131ra Avusturyal\u0131lar’\u0131n 120 y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir kazd\u0131klar\u0131 Efes’ten g\u00f6t\u00fcr\u00fclen eserleri\u00a0 Viyana’daki Efes M\u00fczesi’nde sergiledikleri eserleri inceleyince i\u00e7im ac\u0131d\u0131.\u00a0 Efes’teki d\u00fcnyaca \u00fcnl\u00fc Celcus Kitapl\u0131\u011f\u0131’n\u0131n cephesinde yer alan d\u00f6rt mermer esin perisi yontusunun orijinalinin Viyana’daki bu m\u00fczede sergilendi\u011fini ve g\u00fcn\u00fcm\u00fczde Efes’te yerinde sergilenenlerin al\u00e7\u0131 kopyalar oldu\u011funu ise \u00fcz\u00fclerek \u00f6\u011frendim. <\/p>\n\n\n\n

\n
\"Berlin<\/figure>\n\n\n\n
\"Paris<\/figure>\n\n\n\n
\"Viyana<\/figure>\n<\/figure>\n\n\n\n

Almanlar’\u0131n ve Avusturyal\u0131lar’\u0131n ka\u00e7\u0131rd\u0131klar\u0131 eserleri sergilemek \u00fczere “Ephesos” ve “Pergamon” ad\u0131n\u0131 ta\u015f\u0131yan m\u00fczeler a\u00e7malar\u0131na bir kez daha \u015fa\u015f\u0131rd\u0131m. K\u00fclt\u00fcrel miras\u0131m\u0131za ili\u015fkin \u00f6nemli bilgiler i\u00e7eren\u00a0 kitab\u0131 okuduktan sonra, yurt d\u0131\u015f\u0131ndaki m\u00fczelerde g\u00f6rd\u00fc\u011f\u00fcn\u00fcz eserlere eminim daha farkl\u0131 bir g\u00f6zle bakacaks\u0131n\u0131z.<\/p>\n

Related Images:<\/h3>","protected":false},"excerpt":{"rendered":"

Ara\u015ft\u0131rmac\u0131 yazar Ya\u015far Y\u0131lmaz’\u0131n 2015 y\u0131l\u0131nda yay\u0131mlad\u0131\u011f\u0131 \u201cAnadolu\u2019nun G\u00f6zya\u015flar\u0131\u201d  kitab\u0131, k\u00fclt\u00fcrel miras\u0131m\u0131za ilgi duyanlar\u0131n yan\u0131 s\u0131ra ara\u015ft\u0131rmac\u0131lar ve akademisyenler i\u00e7in de olduk\u00e7a de\u011ferli bir \u00e7al\u0131\u015fma. […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":121988,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[18],"tags":[],"_links":{"self":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/121986"}],"collection":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/comments?post=121986"}],"version-history":[{"count":0,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/121986\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media\/121988"}],"wp:attachment":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media?parent=121986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/categories?post=121986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/tags?post=121986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}