![\"\"](\"https:\/\/kentyasam.com.tr\/wp\/wp-content\/uploads\/2023\/08\/2023-08-10-rra-radyo.jpg\")
<\/a><\/figure><\/div>\n\n\n\nBabam sabah kalkar kalmaz radyoyu a\u00e7ar, o g\u00fcn\u00fcn haberlerini dinleyerek kahvalt\u0131s\u0131n\u0131 yapard\u0131. Haberlerin ard\u0131ndan T\u00fcrk musikisi e\u015fli\u011finde \u015fark\u0131lar s\u0131ralan\u0131rken kahvalt\u0131 sofras\u0131n\u0131n etraf\u0131nda g\u00fcne ne\u015fe ile ba\u015flard\u0131k. O g\u00fcnlerde Zeki M\u00fcren\u2019in \u015fark\u0131lar\u0131yla b\u00fcy\u00fcyen ben, zamanla onun nas\u0131l kendini yeniledi\u011fini, \u00e7a\u011fa nas\u0131l uyum sa\u011flad\u0131\u011f\u0131na da tan\u0131kl\u0131k edecektim. Radyo programlar\u0131n\u0131n ard\u0131ndan zaman i\u00e7inde Zeki M\u00fcren sahne almaya ba\u015flad\u0131. Zaman h\u0131zl\u0131 de\u011fi\u015fiyordu. Sanat\u00e7\u0131lar yaln\u0131z radyodaki sesleriyle de\u011fil art\u0131k sahnede yer al\u0131yorlar, kendilerine bir imaj \u00e7iziyorlar, haliyle giyim ku\u015fam \u00f6nem kazan\u0131yordu.<\/p>\n\n\n\n
\u0130zmirli olarak Fuar zamanlar\u0131n\u0131 sab\u0131rs\u0131zl\u0131kla beklerdik. \u0130zmir Fuar\u0131\u2019n\u0131n ziyaret\u00e7ilere geni\u015f ufuklar a\u00e7t\u0131\u011f\u0131 parlak y\u0131llardan ge\u00e7mi\u015ftim. Yepyeni teknolojileriyle yabanc\u0131 pavyonlar ve her yenili\u011fe a\u00e7\u0131k firmalar i\u00e7in Fuar\u2019da bulunmak bir \u015fanst\u0131. K\u00fclt\u00fcrpark, \u00f6zellikle 1970 ve 1980\u2019li y\u0131llarda sosyolojik, k\u00fclt\u00fcrel ve e\u011flence hayat\u0131n\u0131n \u00f6nemli bir par\u00e7as\u0131 oldu. O g\u00fcnleri ya\u015fayan benim neslim o park alan\u0131nda \u00e7ok \u015fey ya\u015fad\u0131k. Belle\u011fimde kaz\u0131nanlar aras\u0131nda Zeki M\u00fcren\u2019in sahneye \u00e7\u0131k\u0131\u015f\u0131… Uzay k\u0131yafeti ve ayakkab\u0131s\u0131 belle\u011fimde yer etmi\u015ftir.<\/p>\n\n\n\n
<\/a><\/figure><\/div>\n\n\n\nHer sanat\u00e7\u0131 i\u00e7in \u0130zmir\u2019de Fuar zaman\u0131 sahne almak adeta bir s\u0131nava d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fc. Biz izleyiciler de bize sunulan bu \u015fov \u00e2leminin i\u00e7inde b\u00fcy\u00fcl\u00fc bir d\u00fcnyaya girmi\u015f oluyorduk. Hayat\u0131m\u0131za bir canl\u0131l\u0131k gelirdi. \u00c7aml\u0131k Senar, G\u00f6l Gazinosu, K\u00fcbana\u2019da matineler olurdu. Lunapark\u2019\u0131n kar\u015f\u0131s\u0131 Menek\u015fe \u00c7ay Bah\u00e7esi\u2019ydi, b\u00fcy\u00fck a\u011fa\u00e7lar\u0131n alt\u0131nda \u00e7ay i\u00e7menin keyfini ya\u015fard\u0131n\u0131z. Apartmandaki kom\u015fularla anla\u015f\u0131l\u0131r, hep birlikte matineye gidilirdi. T\u00fcm me\u015fhur \u015fark\u0131c\u0131lar\u0131 g\u00f6rm\u00fc\u015f olurduk. Mogambo ve K\u00fcbana\u2019ya rezervasyonla giderdik.<\/p>\n\n\n\n
Bir ay s\u00fcren Fuar\u2019\u0131n a\u00e7\u0131l\u0131\u015f\u0131 10 A\u011fustos\u2019ta b\u00fcy\u00fck bir t\u00f6renle olurdu. B\u00fcy\u00fck bir olayd\u0131. Manolya, Basmane kap\u0131s\u0131na yak\u0131nd\u0131. Zeki M\u00fcren orada sahne al\u0131rd\u0131. Biletler \u00f6nceden al\u0131n\u0131rd\u0131. Zeki M\u00fcren gece yar\u0131s\u0131 \u00e7\u0131kard\u0131. \u00d6nceden gidip yerlerimizi ay\u0131r\u0131rd\u0131k. Ekici \u00d6ver, Ajda\u2019n\u0131n \u00e7\u0131kt\u0131\u011f\u0131 yerdi. Mogambo i\u00e7kili, diskoydu. Ortas\u0131 pist, etraf\u0131 havuzdu. Patricia Carlie\u2019yi, Timur Sel\u00e7uk\u2019u dinlemi\u015ftik.<\/p>\n\n\n\n
\u015eimdi hat\u0131rlad\u0131k\u00e7a benim neslim i\u00e7in unutulmas\u0131 imk\u00e2ns\u0131z olan bu g\u00f6r\u00fcnt\u00fcleri belle\u011fimde sakl\u0131 dev bir depodan, devasa bir \u00e7ekmeceden \u00e7\u0131kar gibi \u00f6n\u00fcme seriliyor. T\u00fcm bu ya\u015fananlar ge\u00e7mi\u015fin ka\u00e7\u0131n\u0131lmaz olaylar\u0131yd\u0131. Belle\u011fimi olu\u015fturan an\u0131lar birbirleriyle ili\u015fkileri ba\u011flam\u0131nda g\u00fcn y\u00fcz\u00fcne \u00e7\u0131k\u0131yordu.<\/p>\n\n\n\n
Y\u0131llar i\u00e7inde show d\u00fcnyas\u0131 da kendini geli\u015ftirdi. \u0130zleyiciye g\u00f6rsel bir \u015f\u00f6len sunmak \u00f6nem kazanm\u0131\u015ft\u0131. \u00c7evremdeki herkes Zeki M\u00fcren\u2019den hayranl\u0131kla s\u00f6z ediyordu. Cesaretini, sesini, k\u0131yafetlerini, sahne \u015fovlar\u0131n\u0131. Ama izleyiciyi en \u00e7ok \u015fa\u015f\u0131rtan uzun pelerinleri, y\u00fcksek topuklu ayakkab\u0131lar\u0131 ve otri\u015fler i\u00e7indeki k\u0131yafetleriydi. \u0130\u015fin ilgin\u00e7 yan\u0131 izleyiciler taraf\u0131ndan bu k\u0131yafetlerin benimsenmi\u015f olmas\u0131yd\u0131. Bu a\u00e7\u0131k\u00e7a izleyicinin Zeki M\u00fcren\u2019e olan sevgisinin bir ifadesiydi.<\/p>\n\n\n\n
Y\u0131llar sonra \u201cAmerika\u2019n\u0131n Zeki M\u00fcren\u2019i\u201d diyebilece\u011fim \u00fcnl\u00fc piyanist ve \u015fovmen Liberace\u2019nin hayat\u0131n\u0131 konu alan filmi izledim. Behind the Candelabra<\/em> isimli bu filmde Michael Douglas Liberace\u2019yi canland\u0131r\u0131yordu. Las Vegas\u2019\u0131 \u201850lerden \u201980 sonlar\u0131na kadar \u015fovlar\u0131nda kulland\u0131\u011f\u0131 s\u0131ra d\u0131\u015f\u0131 g\u00f6rkemli kost\u00fcmler ve sahne \u015fovlar\u0131yla insanlar\u0131 b\u00fcy\u00fclemi\u015fti. Hatta o kadar ki, \u0130ngiltere kraliyet saray\u0131nda piyano resitali i\u00e7in davet edilmi\u015fti. Amerika\u2019ya \u00f6d\u00fclle geri d\u00f6nm\u00fc\u015ft\u00fc. D\u00f6nemin bask\u0131s\u0131 ve kad\u0131n hayranlar\u0131n\u0131 d\u00fc\u015f k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fratmamak i\u00e7in e\u015fcinsel oldu\u011funu saklam\u0131\u015f, 1987\u2019de AIDS\u2019den hayat\u0131n\u0131 kaybetmi\u015fti.<\/p>\n\n\n\n Michael Douglas\u2019\u0131n Liberace\u2019yi oynamas\u0131 en az Liberace\u2019nin kendisi kadar s\u0131ra d\u0131\u015f\u0131 g\u00f6r\u00fclm\u00fc\u015f Hollywood \u00e7evrelerinde. Michael Douglas\u2019\u0131 genelde sert erkek tiplemesiyle tan\u0131n\u0131yor. Ama art\u0131k 68 ya\u015f\u0131na geldi\u011fini ve yeni karakterleri canland\u0131rmaktan korkmad\u0131\u011f\u0131n\u0131 s\u00f6ylemi\u015f.<\/p>\n\n\n\n Zeki M\u00fcren\u2019in Liberace\u2019yi taklit etti\u011fi s\u00f6ylenmi\u015f. Bu konuda Zeki M\u00fcren 1976 y\u0131l\u0131nda Londra\u2019da BBC T\u00fcrk\u00e7e Radyosu\u2019nda spiker Sabih Aykoler ile yapt\u0131\u011f\u0131 r\u00f6portaj\u0131nda ilgin\u00e7 a\u00e7\u0131klamalarda bulunmu\u015f:<\/p>\n\n\n\n \u201cBen 1955 y\u0131l\u0131nda akademiyi birincilikle bitirdim. O zamandan bu zamana b\u00fct\u00fcn giysilerimi, normal hayat\u0131mdakiler de d\u00e2hil kendim \u00e7iziyorum. Modellerini kendim \u00e7iziyorum, renklerini kendim se\u00e7iyorum. Biraz yarad\u0131l\u0131\u015f biraz da ona ilave edilen bir ekol meselesi oluyor. 1955\u2019ten bu yana her sezon her \u015fark\u0131 i\u00e7in de\u011fi\u015fik anlam ta\u015f\u0131yan kost\u00fcmler \u00e7izdim ve giydim. Be\u011fenildi\u011fini g\u00f6rd\u00fck\u00e7e de devam ettim. Ben smokinle de fantezi kost\u00fcmlerle de okuyorum. Eserine g\u00f6re se\u00e7iyorum bunlar\u0131. D\u00fcnyada bu benden daha sonraki y\u0131llarda tatbik edildi. Bu da bana bahtiyarl\u0131k veriyor. Mesela Liberace\u2019yi bana benzetirler, giysi bak\u0131m\u0131ndan. Ben \u015fu noktada \u201cHay\u0131r\u201d diyorum. Benim 1956\u2019da giydi\u011fimi 60\u2019lardan sonra Liberace giydi. Ruh benzerli\u011fi olabilir. Ben onu g\u00f6rd\u00fc\u011f\u00fcmde onu taklit etmedim, Elvis Presley\u2019i keza. Ben T\u00fcrkiye\u2019de Edirne-\u2019den Ardahan\u2019a na\u00e7izane kendi halk\u0131ma hitap etme \u00e7abas\u0131n\u0131 g\u00f6sterdim. G\u00fcn geldi, d\u00fcnk\u00fc g\u00fcn\u00fc ya\u015fad\u0131k beraber.\u201d<\/em><\/p>\n\n\n\n O dupduru, dipdiri T\u00fcrk\u00e7e\u2019siyle, T\u00fcrk\u00e7e\u2019nin s\u00f6z varl\u0131\u011f\u0131ndaki de\u011ferleri koruyan, dilin o gizli hazinesini g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karan, dilin g\u00fcc\u00fcn\u00fc, inceli\u011fini, ayr\u0131m\u0131na var\u0131lmayan gizlerini dinleyenleri ile payla\u015fan bir sanat\u00e7\u0131s\u0131yd\u0131. Kendine \u00f6zg\u00fc duru\u015fu, hep kendi kalabilme kabiliyetini k\u0131skan\u0131rd\u0131m. Kendine \u00f6zg\u00fc bir ya\u015fam tarz\u0131na sahipti. Onca y\u00fcrekli, onca \u00f6d\u00fcns\u00fcz ta\u015f\u0131yabildi bu duru\u015funu.<\/p>\n\n\n\n Ge\u00e7mi\u015f h\u0131zla ak\u0131p gidiyor. Ge\u00e7mi\u015fte ya\u015fanan an g\u00f6zle g\u00f6r\u00fcnd\u00fc\u011f\u00fc andan itibaren bir daha asla geri d\u00f6nm\u00fcyor. Ge\u00e7mi\u015f belle\u011fimizin k\u0131vr\u0131mlar\u0131 aras\u0131nda gizli. \u015eimdiki ben ile o g\u00fcnlerin beni bana \u00f6ylesine uzak ki! O g\u00fcnler bir duman\u0131n ard\u0131ndan, bir sisin ard\u0131ndan g\u00f6r\u00fcn\u00fcyor. O g\u00fcnleri ya\u015fayan ben miyim?<\/p>\n\n\n\n Ben o g\u00fcnleri yaz\u0131ya d\u00f6kerek o ya\u015fant\u0131 par\u00e7alar\u0131n\u0131 tarihsel ba\u011flamda g\u00f6r\u00fcn\u00fcr k\u0131lmaya \u00e7al\u0131\u015f\u0131yorum. Y\u0131llar \u00f6nce tarihsel bir olaya tan\u0131kl\u0131k etmi\u015f olmakla bir belgeleme i\u015flevini de yerine getirmi\u015f oluyorum. Maziyi mazi yapan, hat\u0131rlanma g\u00fcc\u00fc ve ge\u00e7mi\u015fin geri d\u00f6nd\u00fcr\u00fclemezli\u011fi de\u011fil midir?<\/p>\n \u00c7ocuklu\u011fumda g\u00fcnl\u00fck hayat radyoyla ya\u015fan\u0131r, saatler radyoya g\u00f6re ayarlan\u0131r, \u00fclkede ve d\u00fcnyada olup bitenler radyodan \u00f6\u011frenilirdi. Kocaman bir bavul b\u00fcy\u00fckl\u00fc\u011f\u00fcndeki radyodan mobilyal\u0131 masa \u00fcst\u00fc radyolara, […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":119068,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[49],"tags":[],"_links":{"self":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/119050"}],"collection":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/comments?post=119050"}],"version-history":[{"count":0,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/119050\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media\/119068"}],"wp:attachment":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media?parent=119050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/categories?post=119050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/tags?post=119050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Related Images:<\/h3>","protected":false},"excerpt":{"rendered":"