{"id":117511,"date":"2023-04-10T12:03:36","date_gmt":"2023-04-10T09:03:36","guid":{"rendered":"https:\/\/kentyasam.com.tr\/wp\/?p=117511"},"modified":"2023-04-10T12:21:24","modified_gmt":"2023-04-10T09:21:24","slug":"dalgali-denizin-kopukleri-sefa-taskin","status":"publish","type":"post","link":"https:\/\/kentyasam.com.tr\/wp\/2023\/04\/10\/dalgali-denizin-kopukleri-sefa-taskin\/","title":{"rendered":"Dalgal\u0131 Denizin K\u00f6p\u00fckleri \u2013 Sefa Ta\u015fk\u0131n"},"content":{"rendered":"\n

Yazar\u0131n ilk olarak \u201cPembe Sardunya\u201d<\/strong> roman\u0131n\u0131 okumu\u015f, \u00e7ok sevmi\u015ftim. Ard\u0131ndan ilk roman\u0131 olan \u201cK\u0131na Rengiydi Deniz\u201d<\/strong>i de keyifle okumu\u015f ancak y\u0131llard\u0131r ba\u015fka roman yazmamas\u0131n\u0131 da yad\u0131rgam\u0131\u015ft\u0131m.\u00a0 Ancak elbette bo\u015f durmuyordu. \u0130n\u015faat M\u00fchendisi olmas\u0131na kar\u015f\u0131n kendisini Ege \u00f6zellikle Bergama tarihi konusunda uzmanla\u015ft\u0131ran \u00e7ok say\u0131da arkeolojik ve tarih konulu eser vermi\u015f olmas\u0131 bu durumu a\u00e7\u0131kl\u0131yordu. Sonu\u00e7ta bir Sefa Ta\u015fk\u0131n<\/strong> roman\u0131yla bulu\u015fmak g\u00fczel\u2026 \u00dcstelik sonu olduk\u00e7a h\u00fcz\u00fcnl\u00fc biten, okuyucuda yar\u0131m kalm\u0131\u015f duygusu uyand\u0131ran 1910\u2019lu y\u0131llar\u0131 anlatan \u201cK\u0131na Rengiydi Deniz\u201din devam\u0131 olan ve bu kez \u0130kinci D\u00fcnya Sava\u015f\u0131 sonras\u0131 y\u0131llar\u0131nda ge\u00e7en \u201cDalgal\u0131 Denizin K\u00f6p\u00fckleri\u201d<\/strong>ni bir solukta okudum\u2026<\/p>\n\n\n\n

Do\u011frusunu s\u00f6ylemek gerekirse bi\u00e7emi de\u011fi\u015ftirmi\u015f Sefa Ta\u015fk\u0131n\u2026 \u0130lk romandaki konu ve ki\u015fi b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc bu kez bulamad\u0131m. Roman\u0131n ortalar\u0131na geldi\u011fimde kahraman diye niteledi\u011fim b\u00fct\u00fcn ki\u015filer birer birer sahneden \u00e7ekilince \u201cKahraman kim?\u201d sorusunu da kendime birka\u00e7 kez sordum. Sonunda ben kendimce karar\u0131m\u0131 verdim. Bu roman\u0131n bir tane, hatta bildi\u011fimiz \u015fekilde kahraman\u0131 yok. Al\u0131\u015f\u0131k olmasak da roman kurgusu \u201cKasaba\u201d \u00fczerine yap\u0131lm\u0131\u015f. <\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

 \u201cK\u0131na Rengiydi Deniz\u201di okurken \u201cKasaba\u201d neresi olabilir diye \u00e7ok d\u00fc\u015f\u00fcnm\u00fc\u015f, yazarla da konu\u015fmu\u015f, \u201cHer okur nereyi kendine yak\u0131n g\u00f6r\u00fcrse oras\u0131 olabilir\u201d yan\u0131t\u0131n\u0131 alm\u0131\u015ft\u0131m. Ger\u00e7ekten \u00f6yleydi, Turgutlu, Urla, Bergama, Ayval\u0131k, Dikili hepsinin anlat\u0131ma uyan \u00f6zellikleri vard\u0131. Ancak bu kez yazar k\u00fc\u00e7\u00fck ipu\u00e7lar\u0131 vermekten \u00e7ekinmemi\u015f. Dikkatli okur art\u0131k \u201cKasaba\u201dn\u0131n neresi oldu\u011funu anlayacak. \u00d6zellikle baz\u0131 yer isimleri, ya\u015fanm\u0131\u015f tarihsel olaylar birka\u00e7 sat\u0131r en \u00e7ok bir paragrafla da an\u0131lm\u0131\u015f olsa bu ad\u0131 neredeyse kesin olarak ortaya koyuyor.<\/p>\n\n\n\n

\u201cKasaba\u201d ana kahraman olunca ki\u015filer ister istemez ikinci plana d\u00fc\u015f\u00fcvermi\u015f. Olmazsa olmaz diye d\u00fc\u015f\u00fcn\u00fclen ki\u015filer bir bi\u00e7imde ortada kayboluveriyor ya da uzunca bir s\u00fcre g\u00f6r\u00fcnm\u00fcyor. Bu arada geli\u015fen olaylar elbette okuma s\u00fcreklili\u011fini de\u011fi\u015ftirmiyor, okur roman\u0131 elinden b\u0131rakam\u0131yor. Merak \u00f6\u011fesi bir bi\u00e7imde kendini duyumsat\u0131yor. <\/p>\n\n\n\n

Ayr\u0131ca ilk iki romanda kar\u015f\u0131m\u0131za \u00e7\u0131kmayan bir cinsellik konusu var. Zaten hen\u00fcz bas\u0131m a\u015famas\u0131ndayken bir sohbetimizde \u201cBu sefer i\u015fin i\u00e7inde biraz m\u00fcstehcenlik var\u201d demi\u015fti. Hayat\u0131n i\u00e7inde ne varsa o kadar var. Her \u015fey olmas\u0131 gerekti\u011fi kadar, olmas\u0131 gerekti\u011fi yerde diyece\u011fim de; bir \u00f6rnek var ki, \u201cHaydi can\u0131m, sen de mi?\u201d dedirtiyor ama biraz d\u00fc\u015f\u00fcn\u00fcnce, \u201cNeden olmas\u0131n o da di\u011ferleri gibi kanl\u0131 canl\u0131 bir insan de\u011fil mi?\u201d demeyece\u011fimiz kesin. \u00dcstelik Anadolu\u2019yu anlatan yazarlar\u0131n b\u00fcy\u00fck \u00e7o\u011funlu\u011fu bu konuya gerekti\u011fi kadar yer vermi\u015flerdir, Sefa Ta\u015fk\u0131n da o kadar vermi\u015f.<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Bir bi\u00e7em farkl\u0131l\u0131\u011f\u0131 da yaz\u0131m tekni\u011fi. Yazar roman\u0131 seksen yedi b\u00f6l\u00fcm halinde yazm\u0131\u015f. Tamam\u0131 \u00fc\u00e7 y\u00fcz sayfa olunca ortalama her b\u00f6l\u00fcm de \u00fc\u00e7 d\u00f6rt sayfay\u0131 ge\u00e7miyor. Genellikle b\u00f6l\u00fcmlerin \u00e7o\u011funda da konu de\u011fi\u015fince al\u0131\u015ft\u0131\u011f\u0131m\u0131z roman ak\u0131\u015f\u0131n\u0131n d\u0131\u015f\u0131na \u00e7\u0131k\u0131lm\u0131\u015f. Pek kar\u015f\u0131la\u015f\u0131lmayan bir teknik olmas\u0131na kar\u015f\u0131n \u00e7o\u011fu zaman okumay\u0131 da h\u0131zland\u0131r\u0131yor. Tek sak\u0131ncas\u0131 okumaya kapt\u0131rd\u0131\u011f\u0131m\u0131z baz\u0131 b\u00f6l\u00fcmlerin \u00e7abucak bitivermesi\u2026<\/p>\n\n\n\n

Ki\u015fi say\u0131s\u0131 olduk\u00e7a fazla olmas\u0131na kar\u015f\u0131n her biri yeterince okura tan\u0131t\u0131lm\u0131\u015f. Baz\u0131 ki\u015filer neredeyse roman\u0131n ortalar\u0131ndan sonra ak\u0131\u015fa kat\u0131l\u0131yor ancak ustaca anlat\u0131mlar sayesinde yine okur yabanc\u0131l\u0131k hissetmiyor. Hatta giri\u015fte devam roman\u0131 oldu\u011fu okura an\u0131msatmak i\u00e7in neredeyse sat\u0131r aralar\u0131nda (ilk roman\u0131 yak\u0131n zamanda yeniden okumu\u015f olmama kar\u015f\u0131n) rahats\u0131z etmeyen minik geri d\u00f6n\u00fc\u015fler yap\u0131lm\u0131\u015f. \u0130lk roman okunmam\u0131\u015f olsa bile okuma kolayl\u0131\u011f\u0131 a\u00e7\u0131s\u0131ndan okurun \u00f6n\u00fcn\u00fc a\u00e7an bir bilgilendirme olmu\u015f.<\/p>\n\n\n\n

Kimi ki\u015filer d\u00f6neme ve ortama \u00e7ok uygun i\u015flenmi\u015f. Kom\u00fcnist Mustafa, Kaymakam\u0131n \u201cKasaba\u201dy\u0131 be\u011fenmeyen kar\u0131s\u0131 gibi\u2026 \u00c7ok dikkat \u00e7eken sahneler de var. \u0130dam\u0131 k\u00f6fte ekmek yiyerek izlemek, Kom\u00fcnizm kar\u015f\u0131tlar\u0131n\u0131n bir insan\u0131 yakmas\u0131 gibi.<\/p>\n\n\n\n

Roman boyunca akl\u0131mda kalan t\u00fcmceler de var:<\/p>\n\n\n\n

\u201cDokun bu topraklara, sesini duyars\u0131n.\u201d<\/em><\/p>\n\n\n\n

\u201cNedense kurulu d\u00fczen isyana g\u00f6z yummuyor, \u015fiddetle bast\u0131r\u0131yordu ama bir s\u00fcre sonra isyan eden hayretlik bir sayg\u0131 kazan\u0131yordu.\u201d<\/em><\/p>\n\n\n\n

\u201cO, kasabaya tutsakt\u0131. Ne olursa olsun bu gizemli topraklardan ayr\u0131lmayacakt\u0131.\u201d<\/em><\/p>\n\n\n\n

\u201cEve ziyaret\u00e7i kabul etmiyordu. De\u011ferli yolcusu vard\u0131 ge\u00e7irilecek. Sessizlik i\u00e7inde haz\u0131r olmal\u0131yd\u0131 yola.\u201d<\/em><\/p>\n\n\n\n

Elbette bu t\u00fcmceler tad\u0131ml\u0131k. M\u00fcmk\u00fcnse ilk romanla birlikte, de\u011filse ilk sayfalarda verilen bilgilerden yararlanarak bu roman\u0131 keyifle okumak gerekli.<\/p>\n\n\n\n

Son olarak arka kapak yaz\u0131s\u0131ndan bir b\u00f6l\u00fcm\u00fc vermek isterim: <\/p>\n\n\n\n

\u201cBat\u0131 Anadolu\u2019da efsane \u00e7oktur. Ad\u0131na Tithanos dedikleri gen\u00e7 adam, \u00e7ekti\u011fi sevda ac\u0131s\u0131 y\u00fcz\u00fcnden ufalm\u0131\u015f ufalm\u0131\u015f, a\u011fustos b\u00f6ce\u011fine d\u00f6nm\u00fc\u015f. Onu, kap\u0131s\u0131 penceresi olmayan, her yandan a\u00e7\u0131k, k\u00fc\u00e7\u00fck bir evin i\u00e7ine koymu\u015flar. O da y\u0131llard\u0131r burada kendi \u015fark\u0131s\u0131n\u0131 s\u00f6yl\u00fcyormu\u015f.<\/em><\/p>\n\n\n\n

Ancak bir t\u00fcrl\u00fc binadan \u00e7\u0131km\u0131yor, \u00e7\u0131kam\u0131yormu\u015f. Zaman\u0131n ak\u0131\u015f\u0131na uygun \u015fark\u0131lar s\u00f6yl\u00fcyormu\u015f durmadan. \u00c7o\u011fu h\u00fcz\u00fcnl\u00fc, az\u0131 sevin\u00e7li \u015fark\u0131lar. Kargalar merakl\u0131, ulu kavaklar g\u00f6zlemci, ipek kanatl\u0131 kumrular tan\u0131km\u0131\u015f buna.<\/em><\/p>\n\n\n\n

Anadolu tragedyalar \u00fclkesidir, olaylar hep yol ayr\u0131m\u0131na s\u00fcr\u00fckler insan\u0131. G\u00fcnah ya da ceza yazg\u0131sal m\u0131d\u0131r? Belki de yazg\u0131 denilen, ya\u015fananlard\u0131r.\u201d<\/em><\/p>\n\n\n\n

Sefa Ta\u015fk\u0131n\u2019\u0131 Ege ve Bergama ara\u015ft\u0131rma kitaplar\u0131 ile de tan\u0131mak \u00f6nemli ve de\u011ferli. Bu kitaplara \u00f6rnek verecek olursak; “A\u011fa\u00e7lar A\u011flar m\u0131 Bergama’da”, “Baukis ile Filemon”, “Bergama H\u00fcmanizmas\u0131”, “Bergama’da Abac\u0131han Sokak”, “Bergamal\u0131 Kadri”, “Ege R\u00fczg\u00e2rlar\u0131 \u0130zmir’li K\u00f6r Ozan Homeros”, “Luviya 1”, “Luviya 2”, “Luviya 3”, “Luviya 4”, “Mysia ve I\u015f\u0131k \u0130nsanlar\u0131”, “Pergamon Kad\u0131nlar\u0131”, “Siyan\u00fcrc\u00fc Ahtapot”, “S\u00fcrg\u00fcndeki Zeus”…<\/p>\n\n\n\n

Uzun bir aradan sonra ara\u015ft\u0131rmalar\u0131n\u0131n d\u0131\u015f\u0131nda bir romanla bulu\u015ftu\u011fum i\u00e7in \u00e7ok mutlu oldu\u011fum Sefa Ta\u015fk\u0131n dostum, kalemine sa\u011fl\u0131k\u2026 <\/p>\n

Related Images:<\/h3>","protected":false},"excerpt":{"rendered":"

Yazar\u0131n ilk olarak \u201cPembe Sardunya\u201d roman\u0131n\u0131 okumu\u015f, \u00e7ok sevmi\u015ftim. Ard\u0131ndan ilk roman\u0131 olan \u201cK\u0131na Rengiydi Deniz\u201di de keyifle okumu\u015f ancak y\u0131llard\u0131r ba\u015fka roman yazmamas\u0131n\u0131 da […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":117524,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[264],"tags":[],"_links":{"self":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/117511"}],"collection":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/comments?post=117511"}],"version-history":[{"count":0,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/117511\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media\/117524"}],"wp:attachment":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media?parent=117511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/categories?post=117511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/tags?post=117511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}