{"id":112377,"date":"2022-03-24T13:05:33","date_gmt":"2022-03-24T10:05:33","guid":{"rendered":"http:\/\/kentyasam.com.tr\/wp\/?p=112377"},"modified":"2022-03-24T14:50:47","modified_gmt":"2022-03-24T11:50:47","slug":"fotograflar-gelecege-miras","status":"publish","type":"post","link":"https:\/\/kentyasam.com.tr\/wp\/2022\/03\/24\/fotograflar-gelecege-miras\/","title":{"rendered":"Foto\u011fraflar gelece\u011fe miras"},"content":{"rendered":"\n

Foto Gagin G\u00f6z\u00fcnden \u0130zmir Yahudileri ve Karata\u015f sergisi<\/em><\/strong><\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

\u0130zmirliler’in Kemeralt\u0131’ndaki en \u00f6nemli u\u011frak yerlerinden biri olan Havra Soka\u011f\u0131 \u00e7evresinde kentin y\u00fczy\u0131llard\u0131r tan\u0131kl\u0131\u011f\u0131n\u0131 yapan havralar, \u015fu g\u00fcnlerde birbirinden ilgin\u00e7 k\u00fclt\u00fcr etkinliklerine sahne oluyor. \u0130zmir Musevi Cemaati Vakf\u0131’n\u0131n Avrupa Birli\u011fi deste\u011fiyle ger\u00e7ekle\u015ftirdi\u011fi \u201cDespertar (Uyan\u0131\u015f) \u0130zmir\u201d ad\u0131yla bilinen \u201c\u0130zmir Musevi Cemaatini Kapsay\u0131c\u0131 Liderlikle G\u00fc\u00e7lendirme Projesi\u201d kapsam\u0131nda ger\u00e7ekle\u015fen \u201cFoto Gagin G\u00f6z\u00fcnden \u0130zmir Yahudileri ve Karata\u015f\u201d adl\u0131 sergi de bu etkinliklerden biri.<\/p>\n\n\n\n

Foto\u011fraf sanat\u00e7\u0131s\u0131 Selim Bonfil\u2019in Etz Hayim Sinagogu’nda d\u00fczenledi\u011fi sergi, Karata\u015f’ta 1902 ile 1968 y\u0131llar\u0131 aras\u0131nda “Foto Gagin” ad\u0131yla etkinlik g\u00f6steren Aleksandro Gagin’in foto\u011fraflar\u0131ndan olu\u015fuyor. 21 Mart 2022 g\u00fcn\u00fc ziyarete a\u00e7\u0131lan ve 1 Nisan 2022 Cuma g\u00fcn\u00fcne kadar ziyaret edilebilecek sergi sadece Yahudiler i\u00e7in de\u011fil \u0130zmirliler i\u00e7in de \u00f6nemli. \u0130zmir’in ilk foto\u011frafhanelerinden biri olan Foto Gagin’in foto\u011fraflar\u0131, \u0130zmir’in \u00f6nemli bir semti olan Karata\u015f’a, o b\u00f6lgedeki denizle i\u00e7 i\u00e7e ya\u015fama ili\u015fkin detaylar\u0131 g\u00f6zler \u00f6n\u00fcne seriyor. <\/p>\n\n\n\n

Hat\u0131rlad\u0131k\u00e7a bakmak i\u00e7in<\/strong><\/p>\n\n\n\n

Kentin iki y\u00fcz y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir tan\u0131\u011f\u0131 olan ve ad\u0131 “Hayat A\u011fac\u0131” anlam\u0131na gelen Etz Hayim Sinagogu’ndaki sergiyi gezmeye \u00fcst kattan ba\u015flad\u0131m. Merdivenin ba\u015f\u0131nda 1910 ile 1966 y\u0131llar\u0131 aras\u0131nda foto\u011fraf kartlar\u0131na bas\u0131lan Foto Gagin – \u0130zmir – Karata\u015f damgalar\u0131n\u0131n topluca yer ald\u0131\u011f\u0131 bir afi\u015f g\u00f6ze \u00e7arp\u0131yor. \u00dcst kat\u0131n giri\u015f b\u00f6l\u00fcm\u00fcnde daha \u00e7ok Foto Gagin’in objektifine yans\u0131yan portre foto\u011fraflar\u0131 s\u0131ralanm\u0131\u015f. <\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Bug\u00fcn hepsi birer sessiz tan\u0131k olan foto\u011fraftaki insanlar, g\u00fcl\u00fcmseyen y\u00fczlerle bak\u0131yor y\u0131llar \u00f6ncesinden. Eski aile foto\u011fraflar\u0131n\u0131n arkas\u0131nda s\u0131k\u00e7a g\u00f6rd\u00fc\u011f\u00fcm\u00fcz “Bakt\u0131k\u00e7a de\u011fil, hat\u0131rlad\u0131k\u00e7a bakmak i\u00e7in” diyordu sanki hepsi de. Gelin-damat foto\u011fraflar\u0131, gen\u00e7lerin mezuniyet, do\u011fum g\u00fcn\u00fc fotolar\u0131, asker \u00fcniformas\u0131yla \u00e7ekilmi\u015f foto\u011fraflar, kucaklar\u0131nda sevimli bebekleriyle anneler, ne\u015feyle g\u00fcl\u00fcmseyen gen\u00e7 ya\u015fl\u0131 \u00e7iftler, \u00f6zel g\u00fcnlerini “unutulmaz an\u0131lara” d\u00f6n\u00fc\u015ft\u00fcrmek isteyen insanlar vard\u0131 bu foto\u011fraflarda. <\/p>\n\n\n\n

Bu b\u00f6l\u00fcmde Aleksandro Gagin, \u00e7ocuklar\u0131n\u0131n, Rafael Gagin ve Ger\u015fon Musafir’in foto\u011fraflar\u0131, st\u00fcdyo ortam\u0131, Gagin’in yapt\u0131\u011f\u0131 i\u015fleri anlatan tan\u0131t\u0131m d\u00f6k\u00fcmanlar\u0131, st\u00fcdyonun o g\u00fcnk\u00fc ve bug\u00fcnk\u00fc hallerini g\u00f6steren kareler de yer alm\u0131\u015f.<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Sinagoga hem giri\u015fte hem \u00fcst katta kalabal\u0131k bir ziyaret\u00e7i toplulu\u011fuyla kar\u015f\u0131la\u015ft\u0131m. Ana ibadet b\u00f6l\u00fcm\u00fcnde bir grup kad\u0131n ziyaret\u00e7i yazar, rehber Sara Pardo’nun mekana ve Yahudi miras\u0131na ili\u015fkin anlat\u0131mlar\u0131n\u0131 ilgiyle dinliyordu. T\u00fcrk Kad\u0131nlar Birli\u011fi Bayrakl\u0131 \u015eube Ba\u015fkan\u0131 Nihal Bulmam\u0131\u015f, kent k\u00fclt\u00fcr\u00fcne kazand\u0131r\u0131lan mekan\u0131 b\u00f6yle bir sergi arac\u0131l\u0131\u011f\u0131yla g\u00f6rmekten mutluluk duyduklar\u0131n\u0131 belirtiyordu. Ziyaret\u00e7ilerden birisi kap\u0131s\u0131n\u0131n \u00fczerinde yer alan \u0130branice yaz\u0131y\u0131 teknolojinin yard\u0131m\u0131yla \u00e7evirip payla\u015ft\u0131 bizlerle: “Arkada\u015flar\u0131n\u0131 da kendin gibi sev.” <\/p>\n\n\n\n

Restore edilen tarihi mekan\u0131n alt kat\u0131ndaki salonunda ise Gagin’de foto\u011fraf \u00e7ektiren Yahudi ailelerin Bar Mitzva kutlamalar\u0131n\u0131n, aile yemeklerinin, d\u00fc\u011f\u00fcn t\u00f6renlerinin foto\u011fraflar\u0131, oryantalist k\u0131yafetli kad\u0131nlar\u0131n portreleri, Karata\u015f Hastanesi’nin eski ve yeni g\u00f6r\u00fcnt\u00fcleri, semtteki kortijolar\u0131n g\u00f6r\u00fcnt\u00fcleri, deniz k\u0131y\u0131s\u0131ndaki k\u00f6\u015fklerin denize a\u00e7\u0131lan kabinleri, denizle i\u00e7 i\u00e7e ya\u015fayanlar, sahildeki kay\u0131klar\u0131nda sandal sefas\u0131 yapan insanlar sergileniyor. Sergiyi gezenler bir semtin art\u0131k sadece an\u0131larda ve foto\u011fraflarda kalm\u0131\u015f g\u00fczelli\u011fini yeniden ya\u015fama olana\u011f\u0131 bulurken Karata\u015f’\u0131n bir zamanlar \u0130zmirlilerin denizle bulu\u015ftu\u011fu bir semt oldu\u011funu yeniden an\u0131ms\u0131yor.<\/p>\n\n\n\n

“Sergi sayesinde buray\u0131 g\u00f6rebildik”<\/strong><\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Selim Bonfil’le ziyaret\u00e7ilerin ilgiyle gezdi\u011fi alt kattaki b\u00f6l\u00fcmde bir araya geldik. \u0130zmir’e miras kalan foto\u011fraflar\u0131yla d\u00f6nemin \u00f6nemli foto\u011fraf\u00e7\u0131lar\u0131ndan Gagin’i, sergide yer alan bu foto\u011fraflara nas\u0131l ula\u015ft\u0131\u011f\u0131n\u0131n \u00f6yk\u00fcs\u00fcn\u00fc, serginin Karata\u015f, kent belle\u011fi ve \u0130zmirli Yahudi miras\u0131 a\u00e7\u0131s\u0131ndan \u00f6nemini konu\u015ftuk. Gruplar\u0131n biri gelip biri giderken s\u00f6yle\u015fimiz s\u0131k s\u0131k ziyaret\u00e7ilerin “\u0130yi ki serginizi burada a\u00e7m\u0131\u015fs\u0131n\u0131z. Y\u0131llard\u0131r gelip ge\u00e7eriz, bir t\u00fcrl\u00fc i\u00e7eriyi g\u00f6rememi\u015ftik. Sayenizde hem Karata\u015f’\u0131n eski foto\u011fraflar\u0131n\u0131 hem de buray\u0131 g\u00f6rebildik” s\u00f6zleriyle kesildi.<\/p>\n\n\n\n

Bonfil’le 2014 y\u0131l\u0131nda Arkas Sanat Galerisi’nde a\u00e7\u0131lan “\u0130zmir Gelece\u011fe Miras” sergisinde tan\u0131\u015ft\u0131m. O sergi, hem T\u00fcrk hem yabanc\u0131 foto\u011fraf sanat\u00e7\u0131lar\u0131n\u0131n g\u00f6z\u00fcnden bug\u00fcn\u00fcn \u0130zmir’ini gelece\u011fe miras b\u0131rakacak belgesel foto\u011fraflardan olu\u015fan bir sergiydi. Selim Bonfil, bu proje \u00f6ncesinde de \u00e7ok say\u0131da ki\u015fisel ve karma sergide yer alm\u0131\u015f, kent belle\u011fine arma\u011fan kalacak, yahudi k\u00fclt\u00fcr miras\u0131 a\u00e7\u0131s\u0131ndan da \u00f6nemli \u00e7ok say\u0131da projeye kat\u0131lm\u0131\u015ft\u0131. Bonfil bu sergiyle Karata\u015f’\u0131n unutulmu\u015f bir de\u011ferini, eski g\u00fczelliklerini, ya\u015fam\u0131ndan kesitleri gelece\u011fe ta\u015f\u0131yor.<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Selim Bonfil, Gagin ailesinden yakla\u015f\u0131k 350 foto\u011fraf geldi\u011fini, yakla\u015f\u0131k alt\u0131 ay \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131 sergide 140 foto\u011fraf\u0131n yer ald\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. Aleksandro Gagin ailesinin miras\u0131n\u0131 bug\u00fcn Arjantin’de ya\u015fayan torununun o\u011flu Sebastian Gagin ta\u015f\u0131d\u0131\u011f\u0131n\u0131 anlatan Bonfil, serginin afi\u015finin de grafik sanat\u00e7\u0131s\u0131 olan Sebastian Gagin taraf\u0131ndan tasarland\u0131\u011f\u0131n\u0131 belirtiyor. Serginin giri\u015finde ondan gelen bir mektubun da yer ald\u0131\u011f\u0131n\u0131 dile getiriyor.<\/p>\n\n\n\n

Bir d\u00f6nem Foto Gagin ve Foto Alk\u0131m’\u0131n \u0130zmir’de Yahudi ailelerin foto\u011fraflar\u0131n\u0131 \u00e7eken iki \u00f6nemli st\u00fcdyo oldu\u011funu belirten Bonfil, sahiplerini \u00e7ok ara\u015ft\u0131rd\u0131\u011f\u0131n\u0131, ama kendilerine ili\u015fkin bilgiye ula\u015famad\u0131\u011f\u0131n\u0131 anlat\u0131rken \u015funlar\u0131 s\u00f6yl\u00fcyor:<\/p>\n\n\n\n

\"\"<\/a>
Y\u0131llar i\u00e7inde foto\u011fraf kartlar\u0131ndaki Gagin damgalar\u0131<\/figcaption><\/figure><\/div>\n\n\n\n

“Ben bu isimlere ula\u015famad\u0131m ama Prof. Dr. Murat Bengisu akademik ara\u015ft\u0131rmas\u0131n\u0131 yaparken Sebastian’a ula\u015fm\u0131\u015ft\u0131. Biz de bu kanalla g\u00f6r\u00fc\u015ft\u00fck Sebastian’la, projemizden s\u00f6z ettik. Uzun s\u00fcre titizlikle \u00e7al\u0131\u015ft\u0131k, foto\u011fraflar\u0131 beraber okumaya \u00e7al\u0131\u015ft\u0131k, metinleri, foto\u011fraflardaki \u00f6yk\u00fcleri \u00e7\u00f6zmeye \u00e7al\u0131\u015ft\u0131k. Bu \u00e7al\u0131\u015fmaya Hamza R\u00fcstem’in torunu Mert R\u00fcstem de foto\u011fraflar\u0131yla katk\u0131l\u0131 oldu. Sergi projesi dedeleri foto\u011fraf\u00e7\u0131 olan iki insan\u0131 da tan\u0131\u015ft\u0131rd\u0131 asl\u0131nda. Sergide Gagin ile Hamza R\u00fcstem’in bir arada \u00e7ekilmi\u015f iki foto\u011fraf\u0131 da g\u00f6r\u00fcl\u00fcyor. Birisinde aileleriyle beraberler. \u0130ki sanat\u00e7\u0131n\u0131n arkada\u015fl\u0131k yapt\u0131klar\u0131 biliniyor. Ayr\u0131ca \u00e7ok say\u0131da aile, Gagin’de \u00e7ekilen foto\u011fraflar\u0131n\u0131 da payla\u015ft\u0131 sergi i\u00e7in.”<\/p>\n\n\n\n

Yeniliklere a\u00e7\u0131k yetenekli bir foto\u011fraf\u00e7\u0131<\/strong><\/p>\n\n\n\n

Serginin sanatsal, belgesel a\u00e7\u0131dan oldu\u011fu kadar foto\u011fraf sanat\u0131 a\u00e7\u0131s\u0131ndan da ayr\u0131 bir \u00f6nemi oldu\u011funu vurgulayan Bonfil, burada Gagin’in foto\u011fraf \u00e7ekimiyle ilgili farkl\u0131 \u00e7al\u0131\u015fmalar\u0131n\u0131n, ustal\u0131\u011f\u0131n\u0131n g\u00f6r\u00fclebildi\u011fini anlatarak \u015funlar\u0131 s\u00f6yl\u00fcyor:<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

“\u00d6rne\u011fin g\u00fcn\u00fcm\u00fcz\u00fcn foto\u011fraf i\u015fleme bak\u0131m\u0131ndan \u00f6nemli Photoshop program\u0131n\u0131n tekniklerini \u00e7ok \u00f6nce manuel olarak kullanm\u0131\u015f Gagin. Kendisinin yeniliklere a\u00e7\u0131k, yetenekli ve d\u00f6neminin teknolojik geli\u015fmelerine \u00e7ok merakl\u0131 bir sanat\u00e7\u0131 oldu\u011fu biliniyor. \u00d6rne\u011fin \u00fcst kattaki foto\u011fraflardan biri olduk\u00e7a ilgin\u00e7. Bu karede Gagin’in \u00fc\u00e7 ayr\u0131 g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fcn ayn\u0131 karede oldu\u011fu bir foto\u011fraf var. Yine b\u00fcy\u00fck ve k\u00fc\u00e7\u00fck o\u011fluyla ayr\u0131 ayr\u0131 foto\u011fraf \u00e7ekilip sonra \u00fc\u00e7\u00fcn\u00fc bir araya getirdi\u011fi bir kare var. Sanat\u00e7\u0131n\u0131n st\u00fcdyosuna motorsiklet, at ya da farkl\u0131 objeleri getirdi\u011fi, foto\u011fraflar\u0131n\u0131 bir mizansenle \u00e7ekti\u011fi g\u00f6r\u00fcl\u00fcyor. Foto\u011fraflar\u0131nda kompozisyon oldu\u011funu g\u00f6r\u00fcyoruz. Bunlar o d\u00f6nem i\u00e7in ilgin\u00e7. Ayr\u0131ca portrelerde g\u00f6z temas\u0131n\u0131n olmad\u0131\u011f\u0131 dikkat \u00e7ekiyor. \u00c7ekilen ki\u015filer objektife de\u011fil de ba\u015fka bir tarafa bak\u0131yor. Ara\u015ft\u0131r\u0131lmas\u0131 gereken konular bunlar. Bunu yapmak isteyenlere yard\u0131mc\u0131 oluruz.”<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Sergiye haz\u0131rlan\u0131rken Karata\u015f’la ilgili yaz\u0131lm\u0131\u015f \u00e7ok say\u0131da kitap okudu\u011funu ve ara\u015ft\u0131rma yapt\u0131\u011f\u0131n\u0131 da anlatan Selim Bonfil, “Labri’nin Kahvesi’nin foto\u011fraf\u0131 sergideki belgesel foto\u011fraflardan biri. Yine o d\u00f6nemin aile evlerinden foto\u011fraflar, g\u00fcnl\u00fck ya\u015famdan kesitler de var” diyor. Bonfil sergisindeki foto\u011fraflarda Abd\u00fclkadir Hazman, Avram Ventura, Cem Seyhun \u00dcnbay, Ya\u015far Aksoy ve Henri Nahum’un b\u00f6lgeye ili\u015fkin yazd\u0131\u011f\u0131 kitaplardan, yaz\u0131 ve \u015fiirlerden al\u0131nt\u0131lar\u0131n da yer ald\u0131\u011f\u0131n\u0131 belirtiyor. Bu eserleri okurken Rum, Musevi, T\u00fcrk ailelerin Karata\u015f’ta ho\u015fg\u00f6r\u00fc i\u00e7inde ya\u015fad\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fcn\u00fc s\u00f6yl\u00fcyor. Gagin’in \u00e7ekti\u011fi Karata\u015f foto\u011fraflar\u0131n\u0131n serginin belgesel y\u00f6n\u00fcn\u00fcn olu\u015fturdu\u011funu, bu y\u00f6n\u00fcyle kente miras kalan bu hazinenin \u0130zmirliler’le bulu\u015ftu\u011funu dile getiriyor.\u00a0<\/p>\n\n\n\n

Selim Bonfil, Gagin’in d\u0131\u015f mekanlarda da foto\u011fraf \u00e7ekti\u011fini, m\u00fc\u015fterileri aras\u0131nda y\u00fcz\u00fcndeki pe\u00e7eyi \u00e7\u0131kart\u0131p foto\u011fraf \u00e7ektiren M\u00fcsl\u00fcman kad\u0131nlar\u0131n da oldu\u011funu anlat\u0131yor. Serginin bir kitap\u00e7\u0131\u011f\u0131n\u0131 da haz\u0131rlayan Bonfil, bu serginin bir s\u00fcre sonra \u0130stanbul\u2019da 500. Y\u0131l Musevi Vakf\u0131\u2019nda da a\u00e7\u0131laca\u011f\u0131n\u0131 belirtirken, \u00e7ok say\u0131da \u0130zmirli Musevi’nin ya\u015fad\u0131\u011f\u0131 Arjantin’de de a\u00e7mak istediklerini kaydediyor. 1 Nisan 2022 Cuma g\u00fcn\u00fcne kadar a\u00e7\u0131k kalacak sergi saat 12.00 – 17.00 aras\u0131nda ziyaret edilebilecek. Sergide Gagin ve foto\u011frafhanesine ili\u015fkin \u015fu bilgiler yer al\u0131yor:<\/p>\n\n\n\n

Foto Gagin’in unutulan tarih\u00e7esi<\/strong><\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

“Aleksandro Gagin 1883 y\u0131l\u0131nda Manisa’da Sefarad Yahudisi bir ailenin alt\u0131 \u00e7ocu\u011fundan birisi olarak d\u00fcnyaya geldi. Daha sonra ailesiyle \u0130zmir’e ta\u015f\u0131nan Aleksandro 1902 y\u0131l\u0131nda yo\u011fun bir Yahudi n\u00fcfusunun ya\u015fad\u0131\u011f\u0131 Karata\u015f’\u0131n tek foto\u011fraf\u00e7\u0131 d\u00fckkan\u0131n\u0131 a\u00e7t\u0131. Ailesinde bu mesle\u011fi yapan ba\u015fka ki\u015fi olmad\u0131\u011f\u0131 ve mesle\u011fi nas\u0131l \u00f6\u011frendi\u011fi bilinmiyor. <\/p>\n\n\n\n

Sanat\u00e7\u0131n\u0131n yeniliklere ve teknik geli\u015fmelere yatk\u0131n oldu\u011fu tahmin ediliyor. Sanat\u00e7\u0131 foto\u011fraf konusunda \u00f6zenli ve titiz \u00e7al\u0131\u015fmas\u0131yla \u00fcnl\u00fc. Elde etmek istedi\u011fi sonuca g\u00f6re st\u00fcdyoda d\u00fczenekler kurdu\u011fu bilinen Gagin fonda kullanmak \u00fczere elle boyanm\u0131\u015f rulolar, mobilya par\u00e7alar\u0131, sahte s\u00fctunlar, \u00e7i\u00e7ek vazolar\u0131, kilimler kullan\u0131rken, kimi zaman st\u00fcdyoya at ya da motorsiklet bile getiriyordu. <\/p>\n\n\n\n

St\u00fcdyo \u00e7ekimlerinin yan\u0131 s\u0131ra d\u00fc\u011f\u00fcn ya da \u00f6zel etkinliklere de giden Gagin karanl\u0131k odada foto\u011fraf bas\u0131p, elle de r\u00f6tu\u015fluyordu. \u00c7o\u011fu zaman ayn\u0131 foto\u011fraftaki insanlar\u0131 kopyalay\u0131p, klonlamak; \u00e7ekimin i\u00e7inde yer almayan \u00f6\u011feleri eklemek gibi orijinal efektler de yap\u0131yordu. <\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

St\u00fcdyoda tripodlara monte edilmi\u015f Rolleiflex ya da Leica kameralar ile fla\u015flar ve spot \u0131\u015f\u0131klar\u0131 kullan\u0131yordu. Karata\u015f ve \u0130zmir Yahudi cemaatini de a\u015fan bir \u00fcne sahip olan Foto Gagin’in st\u00fcdyosu m\u00fcsl\u00fcman kad\u0131nlar\u0131n pe\u00e7elerin \u00e7\u0131kart\u0131p foto\u011fraflar\u0131n\u0131 \u00e7ektirdi\u011fi birka\u00e7 st\u00fcdyodan biriydi. <\/p>\n\n\n\n

Gagin 1951 y\u0131l\u0131nda i\u015fyerini o\u011flu Rafael’e b\u0131rak\u0131p e\u015fi Ester ile birlikte Arjantin’e gitmek \u00fczere kentten ayr\u0131ld\u0131. O\u011fullar\u0131 Sami bu \u00fclkede ya\u015f\u0131yordu. Kendisine daha sonra en k\u00fc\u00e7\u00fck o\u011fullar\u0131 Maurice de ailesiyle kat\u0131ld\u0131. \u0130\u015f yerin b\u0131rakt\u0131\u011f\u0131 Rafael ise 1954 y\u0131l\u0131nda Arjantin’e ta\u015f\u0131n\u0131rken st\u00fcdyoyu kendisiyle ayn\u0131 binada oturan kom\u015fusu Gerson Musafir’e satt\u0131. Di\u015f\u00e7i Gerson Musafir, bir eleman yerle\u015ftirdi\u011fi i\u015fyerinin zamanla karl\u0131l\u0131\u011f\u0131n\u0131n azalmas\u0131 nedeniyle 1960’l\u0131 y\u0131llar\u0131n sonunda st\u00fcdyoyu kapatt\u0131. Aleksandro Gagin Buenos Aires’e geldikten sonra Foto Gaguine (Frans\u0131zca yaz\u0131l\u0131\u015f\u0131yla) ad\u0131nda yeni bir ma\u011faza a\u00e7t\u0131 ve birka\u00e7 y\u0131l sonra emekli oldu. Gagin 1960’l\u0131 y\u0131llarda Buenos Aires’te ya\u015fam\u0131n\u0131 yitirdi.”<\/p>\n

Related Images:<\/h3>","protected":false},"excerpt":{"rendered":"

Foto Gagin G\u00f6z\u00fcnden \u0130zmir Yahudileri ve Karata\u015f sergisi \u0130zmirliler’in Kemeralt\u0131’ndaki en \u00f6nemli u\u011frak yerlerinden biri olan Havra Soka\u011f\u0131 \u00e7evresinde kentin y\u00fczy\u0131llard\u0131r tan\u0131kl\u0131\u011f\u0131n\u0131 yapan havralar, \u015fu […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":112379,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[18],"tags":[],"_links":{"self":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/112377"}],"collection":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/comments?post=112377"}],"version-history":[{"count":0,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/112377\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media\/112379"}],"wp:attachment":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media?parent=112377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/categories?post=112377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/tags?post=112377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}