{"id":101295,"date":"2012-03-23T00:00:00","date_gmt":"2012-03-23T00:00:00","guid":{"rendered":"http:\/\/kentyasam.com.tr\/wp\/?p=101295"},"modified":"2012-03-23T00:00:00","modified_gmt":"2012-03-23T00:00:00","slug":"izmirin-gizli-cevherleri-mi","status":"publish","type":"post","link":"https:\/\/kentyasam.com.tr\/wp\/2012\/03\/23\/izmirin-gizli-cevherleri-mi\/","title":{"rendered":"\u0130zmir&#8217;in gizli cevherleri mi?"},"content":{"rendered":"Belediyeler hantal kurumlard\u0131r, sanattan, k\u00fclt\u00fcrden anlamazlar, kendileri d\u0131\u015f\u0131nda herkesi k\u00fclt\u00fcr ve sanat insan\u0131 yapmaya kalkmalar\u0131n\u0131n alt\u0131nda ba\u015far\u0131s\u0131zl\u0131klar\u0131 yatar&#8230; Yapt\u0131klar\u0131, yapamad\u0131klar\u0131n\u0131n \u00fcst\u00fcn\u00fc \u00f6rtme ve g\u00f6z boyamad\u0131r&#8230; <br \/>\r\n<br \/>\r\nKonak Belediyesi, \u0130zmir Kalk\u0131nma Ajans\u0131\u0092ndan ald\u0131\u011f\u0131 hibeyle, yerli yabanc\u0131 turizmcilere da\u011f\u0131tmak \u00fczere 260 sayfal\u0131k <b>&#8220;\u0130zmir\u0092in Gizli K\u00fclt\u00fcr Cevherleri&#8221;<\/b> kitab\u0131n\u0131 yay\u0131mlad\u0131. Almanca, \u0130ngilizce, Frans\u0131zca ve \u0130talyanca i\u00e7eriklikli kitaptan beklentimiz, belediyenin kendi s\u0131n\u0131rlar\u0131nda bulunan gizli hazineleri ortaya \u00e7\u0131karmas\u0131yd\u0131. \u00d6rne\u011fin, M\u00d6 128. Y\u0131l\u0092a tarihlenen Kervan k\u00f6pr\u00fcs\u00fc, Kadifekale\u0092de Romal\u0131lar taraf\u0131ndan \u00f6ld\u00fcr\u00fclen St. Polycarpe\u0092\u0131n mezar\u0131, sokak aralar\u0131nda kenarda k\u00f6\u015fede unutulmu\u015f yat\u0131rlar, an\u0131t ve ni\u015faneler, bayramyerleri, k\u00fc\u00e7\u00fck meydanlar, \u00e7e\u015fme ve sarn\u0131\u00e7, cami, mescit han ve hamamlar vs&#8230; <br \/>\r\n<br \/>\r\nGizli cevherlerimizin ortaya \u00e7\u0131kar\u0131lmas\u0131 sevincimiz uzun s\u00fcrmedi, \u00e7\u00fcnk\u00fc kar\u015f\u0131m\u0131za bozuk bir T\u00fcrk\u00e7eyle yaz\u0131lm\u0131\u015f, y\u00fczlerce kez tekrar\u0131 yap\u0131lm\u0131\u015f, bilinen Agora, Kadifekale, Efes, Asans\u00f6r, Saat Kulesi, K\u0131zlara\u011fas\u0131 Han\u0131, \u00c7ak\u0131ra\u011fa Kona\u011f\u0131, D\u00f6nerta\u015f Sebili, Havra, Kilise ve benzeri yerlere ili\u015fkin yaz\u0131lar \u00e7\u0131kt\u0131&#8230;<br \/>\r\n<br \/>\r\nKitapta &#8220;ESHOT Teyze&#8221;nin ad\u0131 ge\u00e7iyor. \u0130tiraf ediyorum bu ismi daha \u00f6nce duymam\u0131\u015ft\u0131m. Duyan var m\u0131 diye sordum bilen \u00e7\u0131kmad\u0131&#8230; D\u00fcnya, bu kitap sayesinde ESHOT teyzemizle birlikte di\u011fer teyzelerimizi tan\u0131m\u0131\u015f olacak. Yolda bir turist ESHOT veya ba\u015ftan \u00e7\u0131kar\u0131c\u0131 teyzeyi ar\u0131yorum diye sorarsa \u015fa\u015f\u0131rmay\u0131n&#8230; Bak\u0131n, ESHOT teyze ve di\u011fer teyzelerinin ad\u0131 kitapta nas\u0131l ge\u00e7iyor? <br \/>\r\n<br \/>\r\n<i>&#8220;Buralarda &#8220;ESHOT Teyzesi&#8221; kavram\u0131 vard\u0131r. Gen\u00e7lere, yol g\u00f6stermeyi kendilerine g\u00f6rev edinmi\u015flerdir&#8230; Herkes mutlulu\u011funu, keyfini ve di\u015fil kent \u00f6zelliklerini b\u00f6ylece ya\u015far. <br \/>\r\n<br \/>\r\nKad\u0131n; Akdenizli ve di\u015fidir; G\u00fczel s\u0131cak, do\u011fal g\u00fcler y\u00fczl\u00fc, hafif fl\u00f6rt\u00fcz ba\u015ftan \u00e7\u0131kar\u0131c\u0131. Tutkulu yarat\u0131c\u0131 uyumlu rahat s\u00fcrprizlerle dolu. Yani t\u0131pk\u0131 &#8220;Sezen Aksu&#8221;gibi&#8230; Kad\u0131n; Amazon sava\u015f\u00e7\u0131s\u0131d\u0131r; Kendine g\u00fcvenen, cesur, \u00f6zg\u00fcr, m\u00fccadeleci, giri\u015fimci, yarat\u0131c\u0131, muktedir, zeki. Yani t\u0131pk\u0131 &#8220;Zuhal Yorganc\u0131o\u011flu&#8221; gibi&#8230;<br \/>\r\n<br \/>\r\nKad\u0131n; g\u00f6rm\u00fc\u015f ge\u00e7irmi\u015ftir; Ho\u015f bi\u00e7imde ya\u015flanan, ge\u00e7mi\u015finin iyi g\u00fcnleriyle avunan, sofistike, kaprissiz, deneyimli, an\u0131larla ya\u015far. Yani t\u0131pk\u0131 &#8220;H\u00fcmeyra \u00d6zba\u015f&#8221; gibi&#8230;<br \/>\r\nKad\u0131n; \u00c7a\u011fda\u015ft\u0131r; D\u00fcnyaya a\u00e7\u0131k, ho\u015fg\u00f6r\u00fcl\u00fc, birden \u00e7ok dil konu\u015fan, modern, \u00e7a\u011f\u0131n\u0131 izleyip ya\u015fayan. Yani t\u0131pk\u0131 &#8220;Filiz Eczac\u0131ba\u015f\u0131 Sarper&#8221; gibi&#8230; (Sayfa 27)<\/i><br \/>\r\n<br \/>\r\n\u0130zmir kad\u0131nlar\u0131n\u0131n hafif fl\u00f6rt\u00fcz, ba\u015ftan \u00e7\u0131kar\u0131c\u0131 ifadelerle tan\u0131t\u0131m\u0131n\u0131 konusuna tak\u0131lmadan okumaya yemek k\u00fclt\u00fcr\u00fcyle devam edelim. Kitapta, \u0130zmir\u0092de Sokak \/ayak\u00fcst\u00fc yemek k\u00fclt\u00fcr\u00fc \u00fczerine bak\u0131n neler yaz\u0131lm\u0131\u015f&#8230; Virg\u00fcl\u00fcne dokunmadan al\u0131nt\u0131 yap\u0131yorum.<br \/>\r\n<br \/>\r\n<i>&#8220;Sabahlar\u0131 kahvalt\u0131 niyetine gevrek, boyoz ve misina ile kesilmi\u015f yumurta; g\u00fcn\u00fcn her saati gevrek, kumru, boyoz ve lokma (hay\u0131r i\u00e7in da\u011f\u0131t\u0131l\u0131r, kuyru\u011fa girdi\u011finizde para vermeye kalkarsan\u0131z ay\u0131p kar\u015f\u0131lan\u0131r, bir hay\u0131r duas\u0131 yeter); \u00f6zellikle ak\u015fam ve geceleri midye, s\u00f6\u011f\u00fc\u015f, kokore\u00e7, k\u00f6fte-ekmek, d\u00fcr\u00fcm, tavuklu pilav, \u015fambali, tulumba ve \u00e7e\u015fitleri, rak\u0131-roka-bal\u0131k. \u0130zmir\u0092de ay\u00e7i\u00e7e\u011fine sak\u0131n ay\u00e7i\u00e7e\u011fi demeyin kimse anlamaz, e\u011fer \u0130zmirliler yerken can\u0131n\u0131z \u00e7ekip de almak isterseniz \u00e7i\u011fdem diye isteyiniz&#8230; (Sayfa 13)<br \/>\r\n<br \/>\r\n\u0130zmir\u0092in k\u00f6ftesi, \u00e7ipuras\u0131, sebze ve meyvesi ile gevre\u011fi hakl\u0131 bir \u00fcne kavu\u015fmu\u015ftur. Yunanistan\u0092da \u0130zmir sucukakisi (bir \u00e7e\u015fit sivri k\u00f6fte) ve finikia tatl\u0131s\u0131, \u0130zmir \u015fark\u0131lar\u0131yla beraber aranan lezzet ve g\u00fczelliklerdir. Kad\u0131nlar\u0131n g\u00fczelli\u011fini, tatl\u0131l\u0131\u011f\u0131n\u0131 sembolize eden dilberduda\u011f\u0131, kad\u0131ng\u00f6be\u011fi, baklava, kaday\u0131f ve lokum gibi tatl\u0131lar ve \u00fcnl\u00fc kahvemiz her zaman yabanc\u0131 turistlerin be\u011fenisini kazanm\u0131\u015ft\u0131r&#8221; (Sayfa 194)<\/i><br \/>\r\n<br \/>\r\n\u0130zmir\u0092e gelecek turistler, sokak lezzetleri ad\u0131yla seyyarlara m\u0131 y\u00f6nlendiriliyor? \u00d6yleyse zab\u0131ta, seyyarlar\u0131n tezg\u00e2hlar\u0131n\u0131 toplay\u0131p, midyelerini ni\u00e7in denize d\u00f6k\u00fcyor? Yunanistan\u0092\u0131n sucukakisi ve Finikia d\u0131\u015f\u0131nda \u0130zmir mutfa\u011f\u0131na girecek ba\u015fka yemek mi yoktu? &#8220;Sabahlar\u0131 kahvalt\u0131 niyetine&#8221; ne demek? Seyyarlar bal\u0131\u011f\u0131n yan\u0131nda rak\u0131 da m\u0131 veriyorlar? Yemek tarihi \u00fczerine insan Nedim Atilla\u0092ya dan\u0131\u015fmaz m\u0131?<br \/>\r\n<br \/>\r\nKitapta; m\u00fczik tarihi unutulmam\u0131\u015f;<br \/>\r\n<br \/>\r\n<i>&#8220;Ege\u0092nin incisi \u0130zmir\u0092in, Zeybek, Efe, Harmandal\u0131 s\u00f6zc\u00fcklerinin g\u00f6sterdi\u011fi gibi, k\u00f6kl\u00fc bir folklorik m\u00fczik ve dans gelene\u011fi vard\u0131r. Efe, K\u0131zan, Zeybek resmi otoriteye ba\u015fkald\u0131ran, Ege da\u011flar\u0131nda k\u00fcmelenmi\u015f, adam ka\u00e7\u0131ran, zenginden ald\u0131\u011f\u0131n\u0131 fakire da\u011f\u0131tan, Robin Hood t\u00fcr\u00fc bir olu\u015fumdu. Kendilerine has sava\u015f giysileri ve oynad\u0131klar\u0131 Harmandal\u0131 veya A\u011f\u0131r Zeybek oyunu, i\u015fte bu ba\u015fkald\u0131r\u0131n\u0131n, boyun e\u011fmezli\u011fin, erkekli\u011fin ve sava\u015f\u00e7\u0131 ruhun bir yans\u0131mas\u0131yd\u0131. Zeybek oyunu Ege\u0092de folklorik yap\u0131s\u0131n\u0131 b\u00fcy\u00fck bir de\u011fi\u015fiklik olmadan g\u00fcn\u00fcm\u00fcze kadar korumu\u015ftur. Ancak \u0130zmir\u0092li rebetler taraf\u0131ndan m\u00fcbadele sonras\u0131 (1923) Yunanistan\u0092a zeibekiko ad\u0131yla ta\u015f\u0131nan bu m\u00fczik ve dans t\u00fcr\u00fc, orada \u00e7ok pop\u00fcler olmu\u015ftur. <br \/>\r\n<br \/>\r\n\u0130zmir\u0092de en \u00e7ok sevilen m\u00fczik t\u00fcr\u00fc \u00e7iftetellidir. Hem geleneksel m\u00fczik hem de pop m\u00fczi\u011finde \u00e7iftetelli \u00f6\u011feleri \u00e7ok sevilir. \u0130\u00e7 g\u00f6\u00e7\u00fcn yo\u011funla\u015fmas\u0131ndan sonra arabesk tarz m\u00fczik ve de\u011fi\u015fik y\u00f6relerin halk t\u00fcrk\u00fcleri \u00e7ok dinlenir olmu\u015ftur. Modern t\u00fcrk pop m\u00fczi\u011fine ise \u00f6zellikle gen\u00e7ler ra\u011fbet etmektedir&#8221; (Sayfa 13)<\/i><br \/>\r\n<br \/>\r\n\u0130zmir\u0092in m\u00fczik tarihi yaz\u0131l\u0131rken, erkeklik, sava\u015f\u00e7\u0131l\u0131k ruhu, adam ka\u00e7\u0131rma, zenginden al\u0131p fakire verme, kendine has sava\u015f giysileri ve Robin Hood \u00f6rneklemelerine gerek var m\u0131yd\u0131? Vay gariban efem vay, demek hepiniz da\u011fa adam kald\u0131r\u0131yor arkas\u0131ndan m\u00fczi\u011fini yap\u0131yordunuz&#8230;<br \/>\r\n<br \/>\r\n<i>\u0130zmir yang\u0131n\u0131n\u0131n 9 Eyl\u00fcl 1922 y\u0131l\u0131nda ba\u015flat\u0131lmas\u0131<\/i> (Do\u011frusu 13 Eyl\u00fcl 1922) <br \/>\r\n<i>Hayvanat bah\u00e7esinin halen K\u00fclt\u00fcrpark oldu\u011fu san\u0131lmas\u0131<\/i> (Bu katalogu eline alanlar fil \u0130zmir\u0092i Sasal\u0131\u0092da de\u011fil K\u00fclt\u00fcrpark\u0092ta arayacaklar.)<br \/>\r\n<i>B\u00fcy\u00fck \u0130skender\u0092in hen\u00fcz do\u011fmad\u0131\u011f\u0131 y\u0131llar\u0131, \u0130skender d\u00f6nemi olarak tarihlemek. <\/i><br \/>\r\n<i>Agios Vukolos gibi adlar\u0131n tarih hatalar\u0131yla birlikte yaz\u0131lmas\u0131. <\/i><br \/>\r\n<i>Canonica eseri, Gazi Heykelinin olmayan mermer kaidelerden bahsedilmesi. <\/i><br \/>\r\n<i>Yedi Uyurlar Ma\u011faras\u0131\u0092n\u0131n Efes\u0092te oldu\u011fu bilgisinin Kuran\u0092da yaz\u0131l\u0131 oldu\u011fu&#8230;<\/i><br \/>\r\n<i>Kitapta kaynak g\u00f6sterilen hocalar\u0131n isimlerinin H. Erkanal, G. Bak\u0131r, \u00d6. \u00d6zyi\u011fit. A. Ersoy olarak verilmesi,<-i> ilk dikkatimi \u00e7eken konular oldu&#8230; <br \/>\r\n<br \/>\r\nKitapta ad\u0131 ge\u00e7en mekanlar\u0131n \u00e7o\u011fu g\u00f6r\u00fcnt\u00fc virane durumda ve ziyarete kapal\u0131. Turist gelse i\u00e7eri girip ziyaret edemez. \u00d6rnek Emirsultan, Bet Hillel, Portekiz, Etz Hayim, Hevra Sinagoglar\u0131 kortejolar ve olmayan Sar\u0131k\u0131\u015fla ve saire&#8230; \u0130zmir\u0092in en eski mescidi kitapta neden yer almam\u0131\u015f? \u0130yi ki almam\u0131\u015f, \u00e7\u00fcnk\u00fc o da virane durumda&#8230; <br \/>\r\n<br \/>\r\nBu kitap ka\u00e7a mal oldu bilmiyorum, g\u00f6r\u00fcnd\u00fc\u011f\u00fc kadar\u0131yla k\u00fc\u00e7\u00fck paralara \u00e7\u0131kmad\u0131&#8230; T\u00fcrk\u00e7esi b\u00f6yleyse yaz\u0131lm\u0131\u015fsa, yabanc\u0131 dillere \u00e7evirisi kim bilir nas\u0131l yap\u0131ld\u0131&#8230; Kitap \u00e7ok aceleye getirilmi\u015f, san\u0131r\u0131m benden ba\u015fka okuyan olmam\u0131\u015f&#8230;<br \/>\r\n<br \/>\r\nKitab\u0131 okumak isteyenler i\u00e7in web sitesinin adresini verelim: <a href=http:\/\/www.izmirkulturturizmi.com target=\"_blank\"> http:\/\/www.izmirkulturturizmi.com<\/a><br \/>\r\n<br \/>\r\n<i>Not: De\u011ferli karde\u015fim gazeteci Hasan Tahsin\u0092e &#8220;ge\u00e7mi\u015f olsun&#8221; diyor, sa\u011fl\u0131kl\u0131 g\u00fcnler diliyorum.<\/i><h3>Related Images:<\/h3>","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Belediyeler hantal kurumlard\u0131r, sanattan, k\u00fclt\u00fcrden anlamazlar, kendileri d\u0131\u015f\u0131nda herkesi k\u00fclt\u00fcr ve sanat insan\u0131 yapmaya kalkmalar\u0131n\u0131n alt\u0131nda ba\u015far\u0131s\u0131zl\u0131klar\u0131 yatar&#8230; Yapt\u0131klar\u0131, yapamad\u0131klar\u0131n\u0131n \u00fcst\u00fcn\u00fc \u00f6rtme ve g\u00f6z boyamad\u0131r&#8230; <a class=\"mh-excerpt-more\" href=\"https:\/\/kentyasam.com.tr\/wp\/2012\/03\/23\/izmirin-gizli-cevherleri-mi\/\" title=\"\u0130zmir&#8217;in gizli cevherleri mi?\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[],"_links":{"self":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/101295"}],"collection":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/comments?post=101295"}],"version-history":[{"count":0,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/posts\/101295\/revisions"}],"wp:attachment":[{"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/media?parent=101295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/categories?post=101295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kentyasam.com.tr\/wp\/wp-json\/wp\/v2\/tags?post=101295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}